Phil Hall

A small, tacky non-comedy.

Put simply, Mind Game is a mind-blowing experience.

An original and highly memorable comedy, and mention should be made of Ebiri’s work beyond filmmaking: he is also a film critic for New York Magazine, thus giving proof that those who review films for a living can also turn around and make a damn fine movie.

While the images presented here are peerless, James Nachtwey is a fascinating individual and it is a shame we cannot learn more about the man behind these extraordinary images.

A mediocre film that presents the troubled poet Sylvia Plath as a jealous, possessive and irritating woman. It is hard to recall another biopic which is so unflattering to its subject.

By the time the film is over it is not so much a "who-done-it?" but a "why-did-we-sit-through-this?"

A minor and forgettable bore.

It's all a case of been-there, done-that, although the singing is nice. Still, do we really need another movie with thirtysomethings who ache to re-live their college years? C’mon, guys, grow up!

McGrath's new film offers a treat for fans of Dickens and moviegoers who love to see a fairly large cast ham it up with delirious abandon.

The new bad movie from Clint Eastwood which takes Dennis Lehane's best-selling thriller and turns it into an inert mess that clocks in at 137 minutes but feels like 137 hours.

Offers a remarkable tribute to one of the few people who genuinely deserves to be known as a pioneer of filmmaking. In the genre of films about films, In the Mirror of Maya Deren is among the best.

More of a curio than a classic and it takes the strongest of constitutions to endure this film without entertaining notions of matricide

Unless you are severely addicted to Johnny Depp, this film offers very little in the way of genuine entertainment value. Ultimately, “The Brave” should have been renamed “The Foolish.”

To its favor, the film is blessed with strong peformances by Ozgu Namal as Meryem and Murat Han as Cemal.

Ghastly.