Peyton Robinson

Select another critic »
RogerEbert.com
For 109 reviews, this critic has graded:
  • 44% higher than the average critic
  • 4% same as the average critic
  • 52% lower than the average critic
On average, this critic grades 3 points lower than other critics. (0-100 point scale)

Peyton Robinson's Scores

  • Movies
  • TV
Average review score: 63
Highest review score: 100 Put Your Soul on Your Hand and Walk
Lowest review score: 12 Back to Black
Score distribution:
  1. Positive: 67 out of 109
  2. Mixed: 12 out of 109
  3. Negative: 30 out of 109
109 movie reviews
view
per page
    • 55 Metascore
    • 38 Peyton Robinson
    A Lot of Nothing
    A Lot of Nothing takes a fraction of a stance on how Black people are socially caricatured and systemically discriminated against. So when the film reaches its big reveal and the discussion of it, it spins any assumption of intention into obscurity.
    • 84 Metascore
    • 88 Peyton Robinson
    Lowndes County and the Road to Black Power
    Lowndes County and the Road to Black Power utilizes impactful interviews and captivating archival footage to demonstrate the county's culture and history as a representation of its importance in the Black Power movement.
    • 72 Metascore
    • 63 Peyton Robinson
    Nanny
    While its horror elements and overall structure lack gratification, it's the woman at its center and the submergence into her spirit that make it a poignant, wonderfully personal character study.
    • 42 Metascore
    • 38 Peyton Robinson
    The People We Hate at the Wedding
    Its goal is to be a feel-good film, and it sort of accomplishes that. But from the predictable plot structure and series of overt zingers to the eye-rolling litany of on-the-nose needle drops, The People We Hate at the Wedding is awkwardly executed.
    • 61 Metascore
    • 50 Peyton Robinson
    Rosaline
    There are certainly chuckle-worthy moments in the film, but they’re counted with a single hand.
    • 72 Metascore
    • 88 Peyton Robinson
    The African Desperate
    Martine Syms has a singular voice, flowing with creativity. Using her own background as an artist, Syms has taken artistic academia and the whiplash of exiting the comfort of school and churned it into a jungle juice of weed, ketamine, and self-discovery.
    • 59 Metascore
    • 25 Peyton Robinson
    The Silent Twins
    While there's undeniable creativity in the film's visual and metaphorical aspects, there's a glaring neglect in the power needed for this film to find its own voice.
    • tbd Metascore
    • 75 Peyton Robinson
    Untrapped: The Story of Lil Baby
    Both the artist Lil Baby and the film about him pursue a deeper gratitude and respect for both this rap star specifically and the genre itself.
    • 65 Metascore
    • 100 Peyton Robinson
    The Black Phone
    Stylistically, the film is nostalgic, reminiscent of vintage photographs and the era of striped baby tees, flared jeans, and The Ramones. Warm browns and oranges, film grain, and filtered light flood the screen. But this idyllic '70s suburbia is corrupted by Derrickson’s horror.
next
Page:

Top Trailers

See all »
See all trailers »