Peter Travers

George Orwell’s dystopian satire of aggression in the form of anthropomorphic farm animals becomes a cutsey, cardboard kiddie cartoon of staggering ineptitude and an endurance test for audiences of all ages.

Even when the sequel loses momentum, and it does like to repeat itself, Meryl Streep, Anne Hathaway, Emily Blunt and Stanley Tucci are comic virtuosos not to be resisted. That’s all.

John Magaro is touching and vital in a wrenching family drama that speaks to what’s broken about family in America.

Jason Segel and Samara Weaving get laughs, but their murder comedy is total tonal chaos.

As Tourette’s activist John Davidson, Robert Aramayo gives an astonishing performance that hits you like a shot in the heart.

This sugarcoated and sanctified biopic sees Michael Jackson as a creative musical genius with a terminal case of arrested development. Except for the glorious music and star Jaafar Jackson, this is an insight-free gloss on a life minus anything raw, relatable and scandal adjacent.

Can a brainwashed boy in Hitler Youth learn to stop worrying and love being a Nazi hater? Beautifully directed by Turkish-German filmmaker Fatih Akin, this unexpectedly tender mesmerizer has an answer you won’t see coming

Lee Cronin makes two hours of borrowed horror inspiration—The Exorcist should sue—feel like an eternity.

For all the mirth and mayhem, Bob Odenkirk and his merry pranksters are exposing how violence is wired into the American character.

Anne Hathaway and Michaela Coel are dynamite in a pop rock opera from director David Lowery that wins points for visuals and suffers from a terminal case of grandiosity

Rushed off to Netflix when theaters are readily available, this fitfully competent “Jaws” ripoff will have to do until the real thing comes along. Condolences to leading lady Phoebe Dynevor who deserved better.

Director Jonah Hill’s satire of Hollywood cancel culture in the age of TMZ leaves out all the laughs that define character and sinks Keanu Reeves and an all-star cast in a muddle of jokes creaky enough to qualify for assisted living.

In this romcom that evaporates while you’re watching it, a mismatched Halle Bailey and Regé-Jean Page fight a losing battle to outshine the scenery.

An electrifying Ian McKellen hits a new career peak and takes an early shot at Oscar in Steven Soderbergh’s unmissable tale of an artist and his forger, played by the brilliant Michaela Coel.

Israeli filmmaker Navid Lapid is taking the risk that audiences will embrace a tragically real situation about his country’s military culture presented as an absurdist comedy. Say yes

Even when the laughs evaporate in the final stretch, Gaten Matarazzo and Sean Giambrone know how to breathe comic life into a stoner buddy comedy that’s high on its own shitfaced supply.

Peachy for fans and painful for newbies, this animated joyride is on the run for box-office glory. So what if doesn’t have an ending. It just stops as if totally exhausted. Now that I can relate to.

Zendaya and Robert Pattinson bring a bracing charge to the premise of turning a romcom about wedding jitters into a deep-dish think piece about the limits of condoning violence, real or imagined. The ending doesn’t work, but oh the drama!

This shamelessly silly crowd-pleaser has an extra 'Nick' and a double comic dose of Vince Vaughn and a knack for springing surprises that you don’t see coming.

Amanda Peet fans rejoice! This tale of broken connections returns this acting sorceress to films, after 10 years, playing an aging star out to restart her career and her love life. She’s funny and fierce in all the right places.

If you need to spot the narcissist lurking behind a friend or lover, this Maria Tomei bonbon may be just instructional romcom you’re looking for. Or maybe not.

A zowie Zazie Beetz takes a fiery axe to anyone who messes with her sister, but we’ve seen it all before and better. Boring is too small a word to hold the heaps of tedium that come with relentless repetition of kill scenes where no one dies

This animated tale of a grumpy fish is as bland as blueberries, yet some wonder if sad Mr. Fish can inspire suicidal thoughts. Nah. Positive messaging swims will all these fishes.

Scream queen Samara Weaving is back in this horror comedy as a bride who takes her vow of “till death do us part” way too seriously. There’s more of everything this time, except for the irreplaceable shock of the new.

Even when her film dips into melodrama, Rose Byrne grounds her portrayal of an unhoused woman living her car in a humanity that feels detailed and true.

In the most purely pleasurable movie so far this year, Ryan Gosling has a blast as a science guy who rockets into space to save all our asses with jolts, jokes and smarts that won’t quit.

Shallow, sycophantic and absent a single unguarded moment, Melania is a near-two-hour infomercial disguised as a documentary. What’s the movie actually worth as entertainment? I’ll start the bidding at two cents.

In his final film, James Van der Beek raises the bar on a standard-issue thriller through the sheer force of his talent and magnetism.