Peter Travers

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For 3,974 reviews, this critic has graded:
  • 60% higher than the average critic
  • 2% same as the average critic
  • 38% lower than the average critic
On average, this critic grades 0.2 points higher than other critics. (0-100 point scale)

Peter Travers' Scores

  • Movies
  • TV
Average review score: 66
Highest review score: 100 Manchester by the Sea
Lowest review score: 0 Lost Souls
Score distribution:
3974 movie reviews
    • 74 Metascore
    • 90 Peter Travers
    Only some bumpy, arid passages in the script keep The Others out of the master class occupied by the likes of "The Sixth Sense" and, my favorite, 1961's "The Innocents."
    • 82 Metascore
    • 90 Peter Travers
    A kickass documentary.
    • Rolling Stone
    • 79 Metascore
    • 90 Peter Travers
    A peak-form Mads Mikkelsen stars in this hilarious and heartbreaking spellbinder as a Copenhagen high-school teacher who thinks day drinking might sharpen his faculties. The Oscar for Best International Feature belongs right here.
    • 91 Metascore
    • 90 Peter Travers
    Surprisingly timely and enduringly timeless.
    • 75 Metascore
    • 90 Peter Travers
    McTeer and Brown make magic ina film that is wonderfully funny, touching and vital.
    • Rolling Stone
    • 78 Metascore
    • 90 Peter Travers
    The burning intensity of MacKay’s face, reflecting the ferocity and futility of war, leaves an indelible mark. His fervor, coupled with the creative passion that Mendes infuses in every frame, makes 1917 impossible to shake.
    • 73 Metascore
    • 90 Peter Travers
    How do I love the film version of the smash Broadway musical, let me count the ways, starting with the way Cynthia Erivo and Ariana Grande set the screen ablaze as frenemy witches and sets, costumes and songs to die for. Seeing this joyous eruption once is just not enough.
    • 86 Metascore
    • 90 Peter Travers
    Thank Maggie Gyllenhaal, in a stunning debut as director and screenwriter, for creating one of the year’s very best movies starring the magnificent Olivia Colman as a mother haunted by her troubled past. This, you do not want to miss
    • 87 Metascore
    • 90 Peter Travers
    Joel Coen’s triumphant film version of Shakespeare’s tragedy astounds on every level, starring Denzel Washington and Frances McDormand, two acting titans, playing an aging couple taking their last shot at murderous ambition. There is no way you can take your eyes off them.
    • 82 Metascore
    • 90 Peter Travers
    For Swifties and newbies, here's the musical event of the movie year. And, yes, you can dance to it as the pop princess uses her all-time top-grossing concert film to show off her talent for artistic reinvention and storytelling in song. What's not to like?
    • 83 Metascore
    • 90 Peter Travers
    All credit to O’Sullivan, Thompson and a tone-perfect cast for creating a film that moves to the rhythms of life as its lived rather than fantasized. Saint Frances retains its rough edges to that last. And that’s some kind of miracle.
    • 97 Metascore
    • 90 Peter Travers
    The movie dissects the universal gap between the haves and the have-nots with shocking wit, stinging topicality and gut-wrenching violence. It’s explosive filmmaking on every level.
    • 82 Metascore
    • 90 Peter Travers
    It's the no-bull performances that hold back the flood of banalities. Robbins and Freeman connect with the bruised souls of Andy and Red to create something undeniably powerful and moving.
    • 64 Metascore
    • 90 Peter Travers
    Thanks to the clever, caring touch of director Ismail Merchant, working from a script by Caryl Phillips, this steadily engrossing film captures the book's bracing humor and humanity.
    • 76 Metascore
    • 90 Peter Travers
    A mesmerizing film spinning from hilarity to heartbreak.
    • Rolling Stone
    • 87 Metascore
    • 90 Peter Travers
    Pedro Almodovar's transfixing tragicomedy -- the best foreign movie of the year -- is also the best showcase for actresses in ages.
    • Rolling Stone
    • 84 Metascore
    • 90 Peter Travers
    This week’s shocking, out-of-nowhere Oscar nomination for British actress Andrea Riseborough as an alcoholic single mother from West Texas who squanders her $190,000 lottery win on booze turns an indie movie no one ever heard of into an absolute must-see. Prepare to be wowed!
    • 84 Metascore
    • 90 Peter Travers
    What the film does so movingly as a portrait is show the isolation that comes with creative success.
    • 79 Metascore
    • 90 Peter Travers
    Kingsley creates an unforgettable monster. Acting rarely gets this hypnotically explosive.
    • 66 Metascore
    • 90 Peter Travers
    Mamet -- crafts tangy, well-seasoned dialogue that a good cast can feast on. And this cast is prime.
    • 63 Metascore
    • 90 Peter Travers
    For all its fancy pedigree, the spellbinding Dancer in the Dark aims right for the heart and aces its target.
    • Rolling Stone
    • 74 Metascore
    • 90 Peter Travers
    Forget Oscar, Ocean's Eleven is the coolest damned thing around.
    • 94 Metascore
    • 90 Peter Travers
    A marvel of delicacy and humor.
    • Rolling Stone
    • 95 Metascore
    • 90 Peter Travers
    Portrait of a Lady on Fire is enthralling on every level. In her hypnotic and haunting film, alive with humor, heartbreak and swooning sensuality, Sciamma has created nothing less than a timeless work of art.
    • 89 Metascore
    • 90 Peter Travers
    In The Farewell, Wang builds a funny, touching and vital film about what makes a family in any culture. It’s simply stunning.
    • 77 Metascore
    • 90 Peter Travers
    Wilson is flat-out hilarious, playing this cowboy like a surfer dude zapped back in time.
    • Rolling Stone
    • 87 Metascore
    • 90 Peter Travers
    Not only the coolest Spider-Man epic ever, it’s one of the best movies of the year.
    • 84 Metascore
    • 90 Peter Travers
    The filmmaker brings everything he has as an artist to this raw, resonant thriller. The screen damn near explodes as his genre caper suddenly encompasses a whole social strata (race, class, politics, gender). You’re in for a hell of a ride.
    • 87 Metascore
    • 90 Peter Travers
    Ignited by career-best performances from Farrell and Gleason, this new classic from son of Ireland Martin McDonagh brims over with dark comic magic and jolts of bloody scary hell. Fasten your seatbelts for a spellbinder that stands high with the best movies of the year.
    • 91 Metascore
    • 90 Peter Travers
    Creative artistry radiates from every frame of this groundbreaking film from director RaMell Ross who joins with camera wiz Jomo Fray to take us inside the eyes of two young Black men (Ethan Herisse and Brandon Wilson) to expose the abuses in a Florida reform school

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