Patrice Witherspoon

The most interesting and beautiful piece to this puzzle is the fact that Dillane's performance can steer the audience in any direction emotionally and at any given moment.

This is merely an example of misalignment when it comes to direction and script. Because while Kane’s vision is mostly clear, the execution of this particular script stumbles.

With certainty, Cumberbatch put his all into this role. So, if for nothing else, it’s worth it to see him.

Last Days is as frustrating to watch as it is to try to understand this avoidable tragedy.

Not everything works and the humor tends to run its course, but Gates puts a solid effort together given the limitations.

This story and these women deserve better.

With the exceptional performances from the cast and several laugh-out-loud moments, this creative film is wildly entertaining.

Even though it doesn’t take its own storyline seriously enough, Smile 2 is entertaining. Don’t expect the horror film to have the best commentary on mental health issues, but be ready for some jump-scare fun.

There’s no denying this is a film capable of winning audiences of all types with its inherent charm, humor, and nostalgia. For me, however, this was 91 minutes of unfocused, chaotic energy that I did not enjoy. Tonally, the movie is all over the place, while its themes are explored with timid execution.

For a story centered on childhood trauma, domestic violence, and the cycle of abuse, these themes feel like afterthoughts when they could have been its strength. It’s certainly lacking, but hearts were in the right place.

Despite being flawed, though, Trap is thrilling at times and a ridiculous display of human behavior at others.

It’s quite familiar, yet impressively sweet. Kilris clearly understands the appeal of Cyprus, her home, and offers us the chance to witness flawed humans go through the intricacies of everyday life.

An intriguing blend of genres and themes, The A-Frame fulfills its promise to excite and entertain even with its mishaps.

A harrowing narrative that contemplates the transition from girlhood to womanhood, Arnold uses magical realism to capture preteen angst with a strong desire for existential freedom.

With sincerity and style, Schrader offers a thoughtful film about life and legacy.

A highly restrained examination of multiple topics, The Second Act is a film about everything and nothing all at once. Perhaps in line with Dupieux’s style, the surreal, dark humor and commentary produce a messy end product that overstays its welcome.

Where the film lacks realism and sense, it is made up entirely by Hathaway and Galitzine’s sensational chemistry.

A decent feature debut, The Absence of Eden is a film that means well. Restrictions in the script hinder the film emotionally, which often show up in the actors' performances as well.

The standouts are certainly more on the technical side, with Elisha Christian’s cinematography, Will Bates’ score, and Mohan’s close-ups. Then, there’s Sweeney, who, without a shadow of a doubt, convinced me of her acting skills thanks to what she was able to accomplish through her emotional and physical performance.

It leans into unrealistic territory, and we’re unfortunately left with a trashy story that very few will like. Not even the ever-charming Gina Rodriguez and confident Damon Wayans Jr. could save this film.

The film gives good insight into the confusion and fear we may face when exploring our sense of self.

Whatever the intent, the execution isn’t all the way there, and that’s the biggest disappointment of all.

Packed with great action sequences and a cast that is committed to each other and the script, Gray's latest is creative and fun enough to hold attention.

Evans and Porter deliver heartbreaking performances with the right amount of intensity, leaving a lasting impact.

It isn’t the worst directorial debut by any means of the phrase, but Burr’s raunchy comedy fails to say something meaningful. Instead, it underwhelms.

It may not be the best biopic ever told, but people will certainly walk away from Rustin more educated, inspired to be the change they want to see in the world, and grateful that movies like this are willing to tell the truth about buried history.

It’s goofy and relies heavily on common tropes, failing to offer insight into the players as people outside their team.

It isn’t the best in its genre, of course, but the commitment from Keaton, as actor and director, is more than enough for me to rally behind this film for another watch.