For 132 reviews, this critic has graded:
  • 46% higher than the average critic
  • 3% same as the average critic
  • 51% lower than the average critic
On average, this critic grades 2.4 points lower than other critics. (0-100 point scale)

Pat Padua's Scores

  • Movies
  • TV
Average review score: 63
Highest review score: 100 Personal Shopper
Lowest review score: 25 The 9th Life of Louis Drax
Score distribution:
  1. Positive: 98 out of 132
  2. Negative: 11 out of 132
132 movie reviews
    • 74 Metascore
    • 50 Pat Padua
    The movie sounds — and looks — tasty enough, but this “Strawberry Mansion” just doesn’t bear much fruit.
    • 55 Metascore
    • 63 Pat Padua
    Despite its poignant subject matter, much of the film feels like a pastiche of political thriller, romantic drama and tortured-genius cliches.
    • 42 Metascore
    • 63 Pat Padua
    Despite a story line that covers such fraught historical events as 9/11 and the Iraq War, the movie is too tidy to ever really feel like a living, breathing thing.
    • 74 Metascore
    • 88 Pat Padua
    Writer-director Radu Jude’s fascinating, cynical dramedy “Bad Luck Banging or Loony Porn” careens between lowbrow humor and highbrow philosophy, resulting in a film that is as frustrating as life itself; it’s a perfect mirror of our times.
    • 80 Metascore
    • 75 Pat Padua
    This is a story about people first, but also about the way we see. And the visual hodgepodge of JR’s images reveals very different perspectives that affect the way we treat each other.
    • 65 Metascore
    • 75 Pat Padua
    The debut feature from British studio Locksmith Animation, Ron’s Gone Wrong has plenty of slapstick and potty humor for kids. But adults will also be intrigued by its frequently scathing (albeit somewhat conflicted) critique of consumerism.
    • 80 Metascore
    • 75 Pat Padua
    Bergman Island is a compelling, enchanting film that works both as a relationship drama and as a conversation between one generation of directors and another. It’s almost as though Mia Hansen-Love were teaching Ingmar Bergman how to get down.
    • 70 Metascore
    • 75 Pat Padua
    With a tone that shifts as much as a profile picture, Who You Think I Am is a nail-biting ride through social media anxiety.
    • 72 Metascore
    • 63 Pat Padua
    The Year of the Everlasting Storm doesn’t end with catharsis, but even insects may have something to teach humanity: to endure the best way we can, however minuscule we may feel in the face of an incomprehensible world.
    • 46 Metascore
    • 50 Pat Padua
    “Reminiscence” has all the ingredients for electrifying summer entertainment. But despite its considerable star power and impressive set pieces, the sprawling meditation on memory is simply an attractive mess.
    • 72 Metascore
    • 63 Pat Padua
    What drags this “Squad” down to the dreary level of Ayer’s vision is the tone of Gunn’s film, which is more violent and less lighthearted than his “Guardians” movies.
    • 57 Metascore
    • 63 Pat Padua
    But this is Statham’s show, and his stoic brutality makes this a captivating slow burn.
    • 76 Metascore
    • 100 Pat Padua
    Fans of the director may be a little mystified by what at first seems like something of a commercial sellout, by a director known for more challenging material. And indeed, The Whistlers has more than enough sex and violence to satisfy the average action movie fan. But dig a bit deeper, and you’ll find a mother lode of meaning just below the surface.
    • 57 Metascore
    • 63 Pat Padua
    A mostly smart and sexy crime drama, even if it loses steam by the time the ridiculous ending rolls around.
    • 64 Metascore
    • 75 Pat Padua
    If The Traitor proves anything, it’s that an 80-year-old filmmaker can still pounce.
    • 60 Metascore
    • 63 Pat Padua
    Even if you’re not familiar with the source material, this Chinese production provides plenty of supernatural thrills for the modern young adult.
    • 78 Metascore
    • 75 Pat Padua
    At once charming and bittersweet. But the film loses focus a little as it heaps accolades on the late actor.
    • 60 Metascore
    • 63 Pat Padua
    The Angry Birds Movie 2 is not great cinema. But the animated sequel — inspired by the popular Angry Birds games, available on mobile devices and other platforms — goes above and beyond what is to be expected from such things.
    • 43 Metascore
    • 50 Pat Padua
    The movie has its flaws. Still, for anyone with a soft spot for the mute gaze of man’s best friend, it’s hard not to shed a tear — or two — during The Art of Racing in the Rain.
    • 41 Metascore
    • 50 Pat Padua
    Unfortunately, in the filmmaker’s narrative-feature debut, she takes the theme of betrayal and turns it into fodder for a sitcom, and not a particularly funny one at that.
    • 69 Metascore
    • 63 Pat Padua
    5B
    5B is ultimately about survival, and the struggle at its center is undeniably a heartbreaking one. Too often, however, the filmmakers get in the way of their own story.
    • 69 Metascore
    • 63 Pat Padua
    “Echo” recalls a fertile era in the history of American pop music. But all too often, it wanders out of the very canyon that defines it.
    • 67 Metascore
    • 63 Pat Padua
    The film has more than enough true material to fuel an effective thriller, but director Aviva Kempner doesn’t quite manage to bring this fascinating figure to life.
    • 52 Metascore
    • 63 Pat Padua
    If its heart-pounding romance doesn’t make you cry, its sorely needed sense of optimism will surely make you smile.
    • 74 Metascore
    • 63 Pat Padua
    “Wild Nights” largely sidesteps the worst tropes of biographical drama, but when it falls, it falls hard.
    • 68 Metascore
    • 75 Pat Padua
    Fortunately, the [animated] reenactments are rendered with sensitivity, respectfully capturing the wide-eyed curiosity of a young woman, and conveying her story in a way that archival footage and family photos cannot.
    • 54 Metascore
    • 63 Pat Padua
    Moviegoers may be happy to hum along with the jaunty soundtrack — and maybe even sympathize with the movie’s unlikely couple — but it’s unlikely to hold anyone entirely in its thrall.
    • 49 Metascore
    • 50 Pat Padua
    Yet despite the stirring performance at its heart, the movie is ultimately too restricted by its own dramatic conventions, and it only seldom comes to life.
    • 71 Metascore
    • 75 Pat Padua
    Shazam! operates as a thrilling fantasy and a comedy about the learning curve of growing up. It’s also a stirring tale of the heroic potential that lies inside each of us, if only we’re put to the test.
    • 85 Metascore
    • 75 Pat Padua
    “Ash” may not hit the dizzying heights of “Sin” but, compared with “Mountain,” it’s a far more consistent and satisfying ride.

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