For 219 reviews, this critic has graded:
  • 28% higher than the average critic
  • 8% same as the average critic
  • 64% lower than the average critic
On average, this critic grades 1.9 points lower than other critics. (0-100 point scale)

Pat Brown's Scores

  • Movies
  • TV
Average review score: 64
Highest review score: 100 Come and See
Lowest review score: 12 Force of Nature
Score distribution:
  1. Negative: 40 out of 219
219 movie reviews
    • 77 Metascore
    • 75 Pat Brown
    Ana Brun’s performance as Chela anchors our attention where Marcelo Martinessi’s understated visuals might otherwise lose it.
    • 65 Metascore
    • 75 Pat Brown
    Touch Me Not‘s commingling of narrator and narrative, character and actor, fiction and documentary suggests that cinema itself is capable of being a manner of touch, the site of a nebulous and freeing encounter between people.
    • 66 Metascore
    • 50 Pat Brown
    Bumblebee exudes some of the tediousness of a reformed sinner who decries hedonism, trying hard to convince us that it now believes in something.
    • 55 Metascore
    • 38 Pat Brown
    Often divertingly colorful and busy to a fault, the film seems to dare us to mock the world of comics' most risible superhero.
    • 70 Metascore
    • 63 Pat Brown
    When the devastating quake finally strikes, it creates a truly suspenseful scenario of vertiginous falls and last-minute saves.
    • 53 Metascore
    • 50 Pat Brown
    As it proceeds through a series of teary reconciliations in the last half-hour of its 110-minute run time, the film's didactic drama begins to grate, its treacly emotions feeling increasingly unearned.
    • 81 Metascore
    • 63 Pat Brown
    The fabric of the fantasy world depicted in the film lacks the cohesion of its central theme about appreciating one’s place in a family tree.
    • 71 Metascore
    • 50 Pat Brown
    Despite convincing performances, the film is hampered by its stylistic and moral conventionality.
    • 93 Metascore
    • 100 Pat Brown
    By uniting these four interviews in particular, Claude Lanzmann emphasizes the impossibility of moral clarity in the unthinkable circumstances into which Germany’s invasion of Eastern Europe threw its Jewish population.
    • 62 Metascore
    • 63 Pat Brown
    The dichotomy represented by Jonathan and John is too clean for the film's exploration of a divided psyche to ever feel particularly complex.
    • 64 Metascore
    • 50 Pat Brown
    Director and co-writer Hannah Fidell's film never finds the right mix of meaningful parable and sophomoric romp.
    • 71 Metascore
    • 63 Pat Brown
    Margarethe von Trotta's documentary reminds us of the reasons for Bergman's continued influence on cinema today.
    • 75 Metascore
    • 75 Pat Brown
    The film’s slow reveal of its fantastical elements, which evoke the erratic, dreamlike strangeness of folk tales, makes them all the more unsettling.
    • 82 Metascore
    • 88 Pat Brown
    Antonio Méndez Esparza crafts a revealing portrait of life as lived under a regime of race and class oppression.
    • tbd Metascore
    • 88 Pat Brown
    Derek Jarman’s 1990 film isn’t without hope that we can regrow a paradise.
    • tbd Metascore
    • 100 Pat Brown
    It suggests that a war’s horrors were the ultimate unassimilable experience of the shadowy depths of the human mind.
    • 64 Metascore
    • 63 Pat Brown
    In the end, there's little payoff for all the repetitive series of evocative visions and mute stares.

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