Pat Brown
Select another critic »For 219 reviews, this critic has graded:
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28% higher than the average critic
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8% same as the average critic
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64% lower than the average critic
On average, this critic grades 1.9 points lower than other critics.
(0-100 point scale)
Pat Brown's Scores
- Movies
- TV
| Average review score: | 64 | |
|---|---|---|
| Highest review score: | Come and See | |
| Lowest review score: | Force of Nature | |
Score distribution:
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Positive: 144 out of 219
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Mixed: 35 out of 219
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Negative: 40 out of 219
219
movie
reviews
- By Date
- By Critic Score
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- Pat Brown
Ana Brun’s performance as Chela anchors our attention where Marcelo Martinessi’s understated visuals might otherwise lose it.- Slant Magazine
- Posted Jan 15, 2019
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- Pat Brown
Touch Me Not‘s commingling of narrator and narrative, character and actor, fiction and documentary suggests that cinema itself is capable of being a manner of touch, the site of a nebulous and freeing encounter between people.- Slant Magazine
- Posted Jan 7, 2019
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- Pat Brown
Bumblebee exudes some of the tediousness of a reformed sinner who decries hedonism, trying hard to convince us that it now believes in something.- Slant Magazine
- Posted Dec 18, 2018
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- Pat Brown
Often divertingly colorful and busy to a fault, the film seems to dare us to mock the world of comics' most risible superhero.- Slant Magazine
- Posted Dec 11, 2018
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- Pat Brown
When the devastating quake finally strikes, it creates a truly suspenseful scenario of vertiginous falls and last-minute saves.- Slant Magazine
- Posted Dec 10, 2018
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- Pat Brown
As it proceeds through a series of teary reconciliations in the last half-hour of its 110-minute run time, the film's didactic drama begins to grate, its treacly emotions feeling increasingly unearned.- Slant Magazine
- Posted Dec 5, 2018
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- Pat Brown
The fabric of the fantasy world depicted in the film lacks the cohesion of its central theme about appreciating one’s place in a family tree.- Slant Magazine
- Posted Nov 26, 2018
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- Pat Brown
Despite convincing performances, the film is hampered by its stylistic and moral conventionality.- Slant Magazine
- Posted Nov 17, 2018
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- Pat Brown
By uniting these four interviews in particular, Claude Lanzmann emphasizes the impossibility of moral clarity in the unthinkable circumstances into which Germany’s invasion of Eastern Europe threw its Jewish population.- Slant Magazine
- Posted Nov 12, 2018
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- Pat Brown
The dichotomy represented by Jonathan and John is too clean for the film's exploration of a divided psyche to ever feel particularly complex.- Slant Magazine
- Posted Nov 11, 2018
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- Pat Brown
Director and co-writer Hannah Fidell's film never finds the right mix of meaningful parable and sophomoric romp.- Slant Magazine
- Posted Nov 4, 2018
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- Pat Brown
Margarethe von Trotta's documentary reminds us of the reasons for Bergman's continued influence on cinema today.- Slant Magazine
- Posted Oct 31, 2018
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- Pat Brown
The film’s slow reveal of its fantastical elements, which evoke the erratic, dreamlike strangeness of folk tales, makes them all the more unsettling.- Slant Magazine
- Posted Oct 25, 2018
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- Pat Brown
Antonio Méndez Esparza crafts a revealing portrait of life as lived under a regime of race and class oppression.- Slant Magazine
- Posted Oct 21, 2018
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- Slant Magazine
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- Pat Brown
It suggests that a war’s horrors were the ultimate unassimilable experience of the shadowy depths of the human mind.- Slant Magazine
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- Pat Brown
In the end, there's little payoff for all the repetitive series of evocative visions and mute stares.- Slant Magazine
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