Owen Gleiberman

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For 3,919 reviews, this critic has graded:
  • 62% higher than the average critic
  • 2% same as the average critic
  • 36% lower than the average critic
On average, this critic grades 0.5 points lower than other critics. (0-100 point scale)

Owen Gleiberman's Scores

  • Movies
  • TV
Average review score: 65
Highest review score: 100 The Invite
Lowest review score: 0 The Men Who Stare at Goats
Score distribution:
3919 movie reviews
    • 95 Metascore
    • 100 Owen Gleiberman
    Once in a long while, a fresh-from-the-headlines movie - like "All the President's Men" or "United 93" - fuses journalism, procedural high drama, and the oxygenated atmosphere of a thriller into a new version of history written with lightning. Zero Dark Thirty, Kathryn Bigelow's meticulous and electrifying re-creation of the hunt for Osama bin Laden, is that kind of movie.
    • 95 Metascore
    • 100 Owen Gleiberman
    The power of The Social Network is that Zuckerberg is a weasel with a mission that can never be dismissed. The movie suggests that he may have built his ambivalence about human connection into Facebook's very DNA. That's what makes him a jerk-hero for our time.
    • 51 Metascore
    • 100 Owen Gleiberman
    Ritchie, working from a script he cowrote with Ivan Atkinson and Marn Davies, has taken all of this and transformed it into a movie that’s so clever and airy yet grounded, so sparkling with devil-may-care bravado, so poised right where you want it to be ­— a step ahead of the audience but also leading us right along — that it gives off the charge of a great screwball comedy.
    • 83 Metascore
    • 100 Owen Gleiberman
    Memento, which may be the ultimate existential thriller, has a spooky repetitive urgency that takes on the clarity of a dream.
    • 73 Metascore
    • 100 Owen Gleiberman
    With Malcolm X, Lee has created a galvanizing political tragedy, the story of a leader who, through his very perception and daring, recognized that death — and only death — would be his final evolution.
    • 82 Metascore
    • 100 Owen Gleiberman
    Brie Larson, as the caring but tormented Grace (who's pregnant and doesn't know if she has the faith to have her baby), and John Gallagher Jr., as her gentle-dweeb fellow worker Mason (who fears his love can't save her), show you what emotionally naked acting is all about.
    • 73 Metascore
    • 100 Owen Gleiberman
    The specter of death haunts the racing scenes in “Ferrari.” That’s part of their intoxicating charge. But it isn’t just the action that’s fraught with thrilling danger. Every moment of the drama moves with a sense of high-stakes dread, of underlying emotional turbulence.
    • 92 Metascore
    • 100 Owen Gleiberman
    E.T. is ultimately a tale of love, and the film becomes a cathartic leap into pure feeling. [2002 re-release]
    • 65 Metascore
    • 100 Owen Gleiberman
    Searing, powerful, and morally entangled.
    • 97 Metascore
    • 100 Owen Gleiberman
    King in the Wilderness is a searing film because it takes Martin Luther King Jr. down from the mountaintop. You glimpse the real glory of who he was: not a walking monument but a human being with fear, humor, guts, and (amazing) grace under pressure.
    • 65 Metascore
    • 100 Owen Gleiberman
    In Vengeance, B.J. Novak proves a born storyteller with the rare gift of using a film to say something that intoxicates us.
    • 80 Metascore
    • 100 Owen Gleiberman
    The Wrestler is like "Rocky" made by the Scorsese of "Mean Streets." It's the rare movie fairy tale that's also a bravura work of art.
    • 86 Metascore
    • 100 Owen Gleiberman
    The rare Hollywood epic that dares to entertain an audience by engaging the world.
    • 98 Metascore
    • 100 Owen Gleiberman
    Hoop Dreams is an astonishing emotional experience — it has highs, lows, and everything in between.
    • 71 Metascore
    • 100 Owen Gleiberman
    May be the first movie to fully capture the way that drugs dislocate us from ourselves.
    • 94 Metascore
    • 100 Owen Gleiberman
    La La Land isn’t a masterpiece (and on some level it wants to be). Yet it’s an exciting ramble of a movie, ardent and full of feeling, passionate but also exquisitely — at times overly — controlled.
    • 90 Metascore
    • 100 Owen Gleiberman
    An extraordinary film; it may be the most haunting documentary since ''Crumb.''
    • 90 Metascore
    • 100 Owen Gleiberman
    The Alabama Solution is one of the most powerful exposés of the inhumanity of the American prison system I’ve ever seen.
    • 75 Metascore
    • 100 Owen Gleiberman
    As riveting as its title.
    • 93 Metascore
    • 100 Owen Gleiberman
    Extraordinary new documentary that turns Robert Crumb's twisted life story into a disturbing, exhilarating work of biographical art.
    • 86 Metascore
    • 100 Owen Gleiberman
    Mesmerizing.
    • 75 Metascore
    • 100 Owen Gleiberman
    She's an Everywoman you can believe in, showcased in the kind of deft comedy of feminine passion - where deep despair meets Wilson Phillips - that a great many people have been waiting for. Now that Wiig and company have built it, will they come?
    • 78 Metascore
    • 100 Owen Gleiberman
    Make no mistake: Endless Poetry is still very much a Jodorowsky film, dotted with his trademark phantasmagorical conceits, which are like candified bursts of comic-book magic realism. Yet more than any previous Jodorowsky opus, it’s also a work of disciplined and touching emotional resonance.
    • 81 Metascore
    • 100 Owen Gleiberman
    Between clips of the concerts Seeger staged as hootenanny hosannas, the film chronicles how the blacklisted star stuck true to his beliefs -- which were more patriotic than those of his accusers.
    • 83 Metascore
    • 100 Owen Gleiberman
    A haunting and incandescent work of art.
    • 74 Metascore
    • 100 Owen Gleiberman
    One of the most revelatory rock portraits ever made.
    • 77 Metascore
    • 100 Owen Gleiberman
    The movie draws us into the illusion that we're simply eavesdropping on the lives of three inner-city black and Hispanic girls.
    • 69 Metascore
    • 100 Owen Gleiberman
    Kevin Costner, as Bobby's carpenter brother-in-law, does the finest character acting of his career.
    • 67 Metascore
    • 100 Owen Gleiberman
    Russian Dolls captures how being a sexual cad has become an essential phase in the life of the modern male.
    • 68 Metascore
    • 100 Owen Gleiberman
    Nothing more (or less) than an enchanting light comedy of romantic confusion... It's a movie that understands love because it understands pain.

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