Olly Richards

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For 257 reviews, this critic has graded:
  • 60% higher than the average critic
  • 1% same as the average critic
  • 39% lower than the average critic
On average, this critic grades 1.7 points lower than other critics. (0-100 point scale)

Olly Richards' Scores

  • Movies
  • TV
Average review score: 64
Highest review score: 100 Cloverfield
Lowest review score: 20 The Crow
Score distribution:
  1. Positive: 96 out of 257
  2. Negative: 2 out of 257
257 movie reviews
    • 68 Metascore
    • 60 Olly Richards
    A few big laughs but weakly drawn characters mean a film that is enjoyable enough in the moment but then quickly forgotten.
    • 67 Metascore
    • 80 Olly Richards
    A great debut from a promising talent.
    • 34 Metascore
    • 60 Olly Richards
    It’s fun to take another turn with Derek and Hansel, but they probably don’t have another season in them.
    • 49 Metascore
    • 60 Olly Richards
    Old friends and new voice talent will delight kids with a never-ending love for the most undemanding animation out there. A megabucks franchise drifts on.
    • 67 Metascore
    • 60 Olly Richards
    The gleefully Gothic fingerprints of Guillermo del Toro are all over this zippy excursion into Mexico's myths and legends, although the gag-count falls quite a lot short of Pixar greatness.
    • 67 Metascore
    • 60 Olly Richards
    A retrograde fantasy with the depth of a dressing-up box, but it’s spirited, genuinely funny and played to the hilt by an excellent cast.
    • 66 Metascore
    • 80 Olly Richards
    Rather than the cynical ‘one last grab’ of the series, Kung Fu Panda 3 might actually be the best. Also, and this is so rarely the case that it’s worth mentioning, it deserves to be seen in 3D.
    • 66 Metascore
    • 80 Olly Richards
    Clever, original and terrifically witty.
    • 41 Metascore
    • 40 Olly Richards
    Fast Five was a good example of how applying The Rock to a tired series could bring it back to life. G.I. Joe, by opting for self-seriousness instead of knowing daftness, has squandered its secret weapon.
    • 66 Metascore
    • 60 Olly Richards
    This is a gentler, less confrontational Solondz. It makes you laugh, but probably won’t leave you reeling after. Some fans of his might consider that a disappointment, others might find it a relief.
    • 66 Metascore
    • 80 Olly Richards
    Sasquatch Sunset’s mood sits somewhere between the queasy surreality of Jim Hosking’s The Greasy Strangler and the winsome daftness of Daniels’ Swiss Army Man. It’s easy to see this following in the (big)footsteps of those and acquiring its own cult following.
    • 47 Metascore
    • 60 Olly Richards
    Like every one of its songs, it makes a lot of noise about nothing much and cockily straddles awfulness and greatness. It's enormously entertaining nonsense.
    • 66 Metascore
    • 80 Olly Richards
    This has the warm, cosy sense of a film that, even with its few flaws, could very easily become regarded as a festive classic.
    • 56 Metascore
    • 40 Olly Richards
    Perhaps it’s fitting that this story about babies has the attention span and grasp of logic of a newborn.
    • 66 Metascore
    • 60 Olly Richards
    This is actually a very middle-of-the-road movie.
    • 66 Metascore
    • 60 Olly Richards
    Given the work lavished on every detail of the glorious backdrop, it’s a pity that the story happening in front of it is so familiar and safe.
    • 66 Metascore
    • 60 Olly Richards
    A movie that while thin and silly, moves with such joyous speed that you almost want to throw your arms in the air and scream.
    • 66 Metascore
    • 60 Olly Richards
    It may share a narrator with "March Of The Penguins" but this short documentary is happily more sturdily scientific.
    • 66 Metascore
    • 80 Olly Richards
    It's the kind of silly you can only get away with when your writing is very smart. A little bit odd and very, very funny.
    • 66 Metascore
    • 80 Olly Richards
    Mary Poppins Returns has boundless creativity, stacks of charm and not a cynical second. If it’s not quite practically perfect, it comes close enough.
    • 65 Metascore
    • 80 Olly Richards
    If the film ends up somewhere a little too neat, Comer makes the journey always worthwhile.
    • 65 Metascore
    • 60 Olly Richards
    As a take on a very difficult topic, made even more so by current events, this is admirable and handsomely executed, but it’s rather like walking through a museum exhibition: it’s packed with fascinating detail, but doesn’t let you close enough to touch it.
    • 65 Metascore
    • 60 Olly Richards
    Like most kittens, it's not always perfectly behaved, but at least this new Puss adventure doesn't have you reaching for the cinematic spray bottle. And thank goodness the spin-off does nothing to neuter the charismatic cat's appeal.
    • 65 Metascore
    • 80 Olly Richards
    It’s a classy weepy with some killer dialogue, but Bening is the big sell here. Given one of the juiciest roles of her career, she makes every moment count.
    • 65 Metascore
    • 40 Olly Richards
    Great houses, shame about the plotting. The sort of glossy nonsense you might happily half-watch on a lazy Sunday.
    • 65 Metascore
    • 80 Olly Richards
    There are thrilling flashes of Gilliam getting back to top form here. A scrappy movie with more ideas than it can control, but one born out of a passion and determination that are wholly infectious.
    • 65 Metascore
    • 60 Olly Richards
    The usually distinctive filmmaker – Black Swan, The Wrestler, Mother! – is in unflashy form for this solid, starry but not very memorable thriller about one man’s very bad night.
    • 65 Metascore
    • 60 Olly Richards
    A well told, beautifully acted drama that offers nothing new but a comforting level of familiarity and cosiness.
    • 65 Metascore
    • 80 Olly Richards
    Dazzlingly clever and hugely funny, it succeeds both as a broadening of the Monsters universe and as a film in its own right. Monsters University had a tough task, and it’s passed with honours.
    • 65 Metascore
    • 60 Olly Richards
    The young cast, which resembles a collection of Gerald Scarfe illustrations, acquits itself reasonably well, but is too ordinary to be heroic. And, once action is introduced into the mix, Barry Levinson'’s direction falters.

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