Oktay Ege Kozak

Unfocused and unpolished, “Le Concours” might’ve been fared better if one of the prospective students picked up the camera instead.

Considering Ferrell and Reilly’s immense talents, Holmes & Watson is an even more unsettlingly unfunny experience.

Such a thin plot from some of the Jackass guys would have been completely forgiven, or even blissfully ignored, if the stunts were on par, or at least close to, what we expect from these guys.

Truth or Dare commits the cardinal sin of a film with such a stupid premise; it tries to explain the spiritual source of the game.

The problem with director and writer Hallie Myers-Sheyer’s film is that it just blandly presents all of the expected cliches of the genre without anything really new or unique to say.

The Nut Job 2 actually contains some impressive animation, with photorealistic backgrounds and detailed fur dynamics on the characters, but that makes it an even bigger tragedy, since we know that untold hours were spent by artists in service of a product that even the least discerning child would find tired and useless.

Baywatch is a tonal mess of epic proportions.

If it came out in the ’90s, I.T. would have been a silly distraction. In this day and age, it’s a colossal waste of time, a 14K dial-up in the time of fiber optic.

Even as a late night Netflix viewing for fashion aficionados who enjoy a scandalous bit of melodramatic trash, The Model doesn’t offer anything new, interesting, or engaging.