Nikola Grozdanovic

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For 115 reviews, this critic has graded:
  • 57% higher than the average critic
  • 1% same as the average critic
  • 42% lower than the average critic
On average, this critic grades 0.8 points lower than other critics. (0-100 point scale)

Nikola Grozdanovic's Scores

  • Movies
  • TV
Average review score: 65
Highest review score: 100 Happy End
Lowest review score: 0 Rage
Score distribution:
  1. Positive: 74 out of 115
  2. Mixed: 24 out of 115
  3. Negative: 17 out of 115
115 movie reviews
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    • 43 Metascore
    • 33 Nikola Grozdanovic
    Based on a True Story
    It’s one of the director’s worst films, if not the worst.
    • 16 Metascore
    • 0 Nikola Grozdanovic
    The Last Face
    It’s, all told, a preposterous and pretentious mess of a film, and all the good intentions in the world don’t mean anything when the execution is as ham-fisted as it is here.
    • 40 Metascore
    • 16 Nikola Grozdanovic
    From the Land of the Moon
    Your time would be better spent staring at a postcard for two hours. No, not even the presence of the usually magnetic Marion Cotillard will stave off the boredom of Garcia and Jacques Fieschi‘s screenplay.
    • 51 Metascore
    • 25 Nikola Grozdanovic
    Desierto
    With a bare minimum amount of suspense, and a screenplay that needs too much work for one that has so many long stretches of silence, this film leaves you with too many reasons not to care about it.
    • 50 Metascore
    • 33 Nikola Grozdanovic
    Trash
    Too many times, Trash asks the audience to trust its characters and their words unconditionally by throwing around terms like "change," "hope," and "rights" with no basis whatsoever.
    • 52 Metascore
    • 25 Nikola Grozdanovic
    Mr. Right
    Thanks to deplorable direction by Paco Cabezas, and a childishly broad screenplay by Max Landis, Mr. Right ends up all wrong.
    • 34 Metascore
    • 16 Nikola Grozdanovic
    The Reflektor Tapes
    Trying something different and playing around with convention is always commendable, but if The Reflektor Tapes proves anything, it's that the result can sometimes fail miserably.
    • 53 Metascore
    • 33 Nikola Grozdanovic
    Our Brand Is Crisis
    It has all the makings for Green to find that sweet-spot between drama and comedy, and make something special. Instead, we're left with something exasperatingly bland and almost claustrophobically generic.
    • 23 Metascore
    • 33 Nikola Grozdanovic
    American Heist
    Despite the valiant efforts from the two leads, the only thing of value that gets robbed in American Heist is our time.
    • 32 Metascore
    • 25 Nikola Grozdanovic
    The Forger
    Uninspired films utilizing cinematic devices that felt old decades ago are a regrettable part of the cinematic viewing experience, and The Forger squarely falls into this category.
    • 30 Metascore
    • 16 Nikola Grozdanovic
    Kill Me Three Times
    If it were funnier, perhaps the trite action and insipid characters could be excused, but it isn’t nearly funny enough for that.
    • 36 Metascore
    • 16 Nikola Grozdanovic
    Revenge of the Green Dragons
    Loo and Lau’s Dragons is too busy reveling in tilted angles, music video editing, mind-numbingly clichéd dialogue, wooden acting and a one-dimensional story about brotherhood.
    • 29 Metascore
    • 16 Nikola Grozdanovic
    Louder Than Words
    This is advertisement masquerading as a story, pretending to be a movie, but at the very least, it’s for a good cause.
    • 28 Metascore
    • 0 Nikola Grozdanovic
    Rage
    Tired, lazy, incongruous, shocking and hilarious in all the wrong places, Rage is destined for the graveyard television slot, squeezed between infomercials for mops.
    • 44 Metascore
    • 33 Nikola Grozdanovic
    I Am I
    The decisions made by the characters of I Am I feel so rushed that everyone’s emotional compass is either utterly broken, ignored, useless, or frustratingly disorienting.
    • 28 Metascore
    • 16 Nikola Grozdanovic
    McCanick
    It fails to convince, and succeeds only in frustrating.
    • 48 Metascore
    • 33 Nikola Grozdanovic
    Stay
    The acting is as inspired as the screenplay allows, which just isn't enough to add any kind of conviction to the events that transpire on screen.

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