Nicolas Rapold
Select another critic »For 540 reviews, this critic has graded:
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31% higher than the average critic
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7% same as the average critic
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62% lower than the average critic
On average, this critic grades 7.8 points lower than other critics.
(0-100 point scale)
Nicolas Rapold's Scores
- Movies
- TV
| Average review score: | 58 | |
|---|---|---|
| Highest review score: | Mustang | |
| Lowest review score: | Neander-Jin: The Return of the Neanderthal Man | |
Score distribution:
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Positive: 204 out of 540
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Mixed: 285 out of 540
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Negative: 51 out of 540
540
movie
reviews
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- Nicolas Rapold
Warsaw Uprising is marred by a fictional audio drama among three characters (two cameraman brothers and an American airman) who provide an unnecessary, distracting and at times amateurish frame to this resourcefully, even wittily, edited tour. But the flaws don’t detract from the film’s casual and calamitous sights.- The New York Times
- Posted Nov 6, 2014
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- Nicolas Rapold
The tech-gadget-heavy plotting is so preposterously weak that it’s hard to look past the cheap laughs or half-baked direction.- The New York Times
- Posted Dec 11, 2014
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- Nicolas Rapold
Mr. Wilson’s Antoine is too much of a pill to root for, and the voice-over and wispy songs dribbling over scenes only underline the forgettable filmmaking.- The New York Times
- Posted Dec 27, 2014
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- Nicolas Rapold
Mining deeper emotions from the fanciful premise doesn’t work out for the film, which gets tied down to a generic musical-contest subplot. It’s a workable comedy that’s sunk by its attempts to impersonate something else too.- The New York Times
- Posted Jan 15, 2015
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- Nicolas Rapold
The director’s wide frame encompasses vast terrain from a middle vantage point, achieving views and noticing changes over time that a mere passer-by might not.- The New York Times
- Posted Feb 12, 2015
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- Nicolas Rapold
Despite the urgent subject matter and lyrical touches, it’s a film that needs further layers of complication and texture.- The New York Times
- Posted Jun 18, 2015
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- Nicolas Rapold
Shot with available light, the suburban rambles are portrayed so naturally that it’s hard to believe they are scripted.- The New York Times
- Posted Aug 6, 2015
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- Nicolas Rapold
There’s something woebegone about the film itself as it staggers along, ever in danger of tipping into the abyss inhabited by one of its subjects.- The New York Times
- Posted Sep 24, 2015
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- Nicolas Rapold
Roddy Bogawa’s Taken by Storm taps that intimate, thrilling ritual of another era: picking a record in a music store, beguiled by a mysterious album cover before the needle has even dropped.- The New York Times
- Posted Oct 1, 2015
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- The New York Times
- Posted Apr 7, 2016
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- Nicolas Rapold
By the time Beauvais dismisses some chestnut trees as “bland,” the movie screams nothing so much as the pained self-absorption of depression — an anguished revelation, but dead-on.- The New York Times
- Posted Jan 28, 2021
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- Nicolas Rapold
The Grand Guignol conclusion does fulfill the flair promised by the film’s tuned-up colors and by Mara’s vintage posters for her movies, which have glorious titles like “The Other Woman Forever.”- The New York Times
- Posted Dec 10, 2020
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- Nicolas Rapold
Spall summons a kind of early Ryan Reynolds haplessness, talking a mile a minute while catching up. But a sheepish pall steadily creeps over the whole endeavor.- The New York Times
- Posted Jul 1, 2021
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- Nicolas Rapold
Hope is not a policy, as the saying goes, so Bridge gamely tries to provide both, fleshing out ideals with examples.- The New York Times
- Posted Sep 3, 2021
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- Nicolas Rapold
The “nothing to see here” focus gives the homey-feeling film the whiff of a sanctioned production.- The New York Times
- Posted Jun 17, 2021
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- Nicolas Rapold
Between a bro-friendly voice-over and “TMZ Live”-style bull sessions with his producer, Schroder’s exploratory pose comes to feel exasperatingly clueless. Yet the film also assembles soothingly sharp commentators who lay bare the power and race dynamics and aggression at play in the Lincoln Memorial encounter.- The New York Times
- Posted Jul 15, 2021
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- Nicolas Rapold
The movie reflects upon how people organize experience through our memories and our actions, but the filmmakers also have a self-awareness about their steadfast methods.- The New York Times
- Posted Jul 15, 2021
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- Nicolas Rapold
While pragmatic in bent, the documentary repeatedly underlines the toxic manner in which this country treats many who have sacrificed body and mind in service to others.- The New York Times
- Posted Sep 9, 2021
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- Nicolas Rapold
The film’s enduring hook is the spectacle of a self-proclaimed revolutionary government that can’t abide the rebellion of rock without bureaucratic oversight.- The New York Times
- Posted Sep 16, 2021
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- Nicolas Rapold
Out of the fractured family documentary, what emerges finally is a drama of self-realization.- The New York Times
- Posted Nov 18, 2021
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- Nicolas Rapold
The director, Eva Orner (“Chasing Asylum”), makes her contribution to documentaries on climate change by sticking to Australia and underlining the visceral impact on Australians. It’s hellish: red skies and dark days, fear and helplessness, pregnancy complications and death.- The New York Times
- Posted Nov 30, 2021
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- Nicolas Rapold
Clinging to Hannah’s naïve viewpoint and the cherished ideal of her friendship with Anne results in some hard truths being hidden away or oddly sanitized.- The New York Times
- Posted Feb 10, 2022
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- Nicolas Rapold
The perspective — while producing something eminently watchable — may strike some viewers as old-fashioned and incomplete.- The New York Times
- Posted Feb 15, 2022
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- Nicolas Rapold
Dad humor abounds in Family Camp, a vanishingly mild comedy that resembles other films about parents and kids bumbling in the wilderness- The New York Times
- Posted May 20, 2022
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- Nicolas Rapold
a hackneyed story of a tedious, lovelorn expatriate, pulling himself together and dragging us around with him.- The New York Times
- Posted Jun 22, 2022
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- Nicolas Rapold
The film’s dramas are ornately costumed but often stilted and lacking the verve of the battle staging. Even the glories of war can turn stultifying when you’re shown one too many thousand-yard-stare reaction shots by military leaders.- The New York Times
- Posted Jul 28, 2022
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- Nicolas Rapold
The caper, directed by Moon Hyun-sung, isn’t as fun as it insists it is, playing up the crew and its exploits à la “The Fast and the Furious” and “Baby Driver” but never hitting its stride.- The New York Times
- Posted Aug 25, 2022
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- Nicolas Rapold
It’s hard to argue with that message, but one doesn’t have to accept the ho-hum experience of watching this movie.- The New York Times
- Posted Aug 4, 2022
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- Nicolas Rapold
You couldn’t ask for richer reading material, even if the film doesn’t quite live up to the promise of its premise.- The New York Times
- Posted Aug 23, 2022
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- Nicolas Rapold
“Four Winters” offers an enduring warning amid today’s global struggle with authoritarian forces: As one speaker explains, her neighbors were already antisemitic before the war, but with power, they became vicious.- The New York Times
- Posted Sep 20, 2022
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