Nicolas Rapold

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For 540 reviews, this critic has graded:
  • 31% higher than the average critic
  • 7% same as the average critic
  • 62% lower than the average critic
On average, this critic grades 7.8 points lower than other critics. (0-100 point scale)

Nicolas Rapold's Scores

  • Movies
  • TV
Average review score: 58
Highest review score: 100 Mustang
Lowest review score: 0 Neander-Jin: The Return of the Neanderthal Man
Score distribution:
  1. Negative: 51 out of 540
540 movie reviews
    • tbd Metascore
    • 70 Nicolas Rapold
    Warsaw Uprising is marred by a fictional audio drama among three characters (two cameraman brothers and an American airman) who provide an unnecessary, distracting and at times amateurish frame to this resourcefully, even wittily, edited tour. But the flaws don’t detract from the film’s casual and calamitous sights.
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    • 30 Nicolas Rapold
    The tech-gadget-heavy plotting is so preposterously weak that it’s hard to look past the cheap laughs or half-baked direction.
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    • 40 Nicolas Rapold
    Mr. Wilson’s Antoine is too much of a pill to root for, and the voice-over and wispy songs dribbling over scenes only underline the forgettable filmmaking.
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    • 50 Nicolas Rapold
    Mining deeper emotions from the fanciful premise doesn’t work out for the film, which gets tied down to a generic musical-contest subplot. It’s a workable comedy that’s sunk by its attempts to impersonate something else too.
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    • 80 Nicolas Rapold
    The director’s wide frame encompasses vast terrain from a middle vantage point, achieving views and noticing changes over time that a mere passer-by might not.
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    • 50 Nicolas Rapold
    Despite the urgent subject matter and lyrical touches, it’s a film that needs further layers of complication and texture.
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    • 80 Nicolas Rapold
    Shot with available light, the suburban rambles are portrayed so naturally that it’s hard to believe they are scripted.
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    • 40 Nicolas Rapold
    There’s something woebegone about the film itself as it staggers along, ever in danger of tipping into the abyss inhabited by one of its subjects.
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    • 80 Nicolas Rapold
    Roddy Bogawa’s Taken by Storm taps that intimate, thrilling ritual of another era: picking a record in a music store, beguiled by a mysterious album cover before the needle has even dropped.
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    • 60 Nicolas Rapold
    [A] serviceable but slightly drawn-out documentary.
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    • 50 Nicolas Rapold
    By the time Beauvais dismisses some chestnut trees as “bland,” the movie screams nothing so much as the pained self-absorption of depression — an anguished revelation, but dead-on.
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    • 70 Nicolas Rapold
    The Grand Guignol conclusion does fulfill the flair promised by the film’s tuned-up colors and by Mara’s vintage posters for her movies, which have glorious titles like “The Other Woman Forever.”
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    • 40 Nicolas Rapold
    Spall summons a kind of early Ryan Reynolds haplessness, talking a mile a minute while catching up. But a sheepish pall steadily creeps over the whole endeavor.
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    • 70 Nicolas Rapold
    Hope is not a policy, as the saying goes, so Bridge gamely tries to provide both, fleshing out ideals with examples.
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    • 50 Nicolas Rapold
    The “nothing to see here” focus gives the homey-feeling film the whiff of a sanctioned production.
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    • 40 Nicolas Rapold
    Between a bro-friendly voice-over and “TMZ Live”-style bull sessions with his producer, Schroder’s exploratory pose comes to feel exasperatingly clueless. Yet the film also assembles soothingly sharp commentators who lay bare the power and race dynamics and aggression at play in the Lincoln Memorial encounter.
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    • 70 Nicolas Rapold
    The movie reflects upon how people organize experience through our memories and our actions, but the filmmakers also have a self-awareness about their steadfast methods.
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    • 80 Nicolas Rapold
    While pragmatic in bent, the documentary repeatedly underlines the toxic manner in which this country treats many who have sacrificed body and mind in service to others.
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    • 70 Nicolas Rapold
    The film’s enduring hook is the spectacle of a self-proclaimed revolutionary government that can’t abide the rebellion of rock without bureaucratic oversight.
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    • 80 Nicolas Rapold
    Out of the fractured family documentary, what emerges finally is a drama of self-realization.
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    • 70 Nicolas Rapold
    The director, Eva Orner (“Chasing Asylum”), makes her contribution to documentaries on climate change by sticking to Australia and underlining the visceral impact on Australians. It’s hellish: red skies and dark days, fear and helplessness, pregnancy complications and death.
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    • 30 Nicolas Rapold
    Clinging to Hannah’s naïve viewpoint and the cherished ideal of her friendship with Anne results in some hard truths being hidden away or oddly sanitized.
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    • 60 Nicolas Rapold
    The perspective — while producing something eminently watchable — may strike some viewers as old-fashioned and incomplete.
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    • 30 Nicolas Rapold
    Dad humor abounds in Family Camp, a vanishingly mild comedy that resembles other films about parents and kids bumbling in the wilderness
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    • 30 Nicolas Rapold
    a hackneyed story of a tedious, lovelorn expatriate, pulling himself together and dragging us around with him.
    • tbd Metascore
    • 40 Nicolas Rapold
    The film’s dramas are ornately costumed but often stilted and lacking the verve of the battle staging. Even the glories of war can turn stultifying when you’re shown one too many thousand-yard-stare reaction shots by military leaders.
    • tbd Metascore
    • 50 Nicolas Rapold
    The caper, directed by Moon Hyun-sung, isn’t as fun as it insists it is, playing up the crew and its exploits à la “The Fast and the Furious” and “Baby Driver” but never hitting its stride.
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    • 30 Nicolas Rapold
    It’s hard to argue with that message, but one doesn’t have to accept the ho-hum experience of watching this movie.
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    • 60 Nicolas Rapold
    You couldn’t ask for richer reading material, even if the film doesn’t quite live up to the promise of its premise.
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    • 70 Nicolas Rapold
    “Four Winters” offers an enduring warning amid today’s global struggle with authoritarian forces: As one speaker explains, her neighbors were already antisemitic before the war, but with power, they became vicious.

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