Nick Prigge

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Slant Magazine
For 45 reviews, this critic has graded:
  • 64% higher than the average critic
  • 0% same as the average critic
  • 36% lower than the average critic
On average, this critic grades 5.2 points lower than other critics. (0-100 point scale)

Nick Prigge's Scores

  • Movies
  • TV
Average review score: 60
Highest review score: 75 Paths of the Soul
Lowest review score: 25 Amnesiac
Score distribution:
  1. Positive: 28 out of 45
  2. Mixed: 9 out of 45
  3. Negative: 8 out of 45
45 movie reviews
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    • 53 Metascore
    • 63 Nick Prigge
    Samba
    Even as Samba struggles to hold onto his identity, the film becomes entangled in an identity crisis of its own.
    • 52 Metascore
    • 75 Nick Prigge
    Comet
    Its time-jumping strategy cleverly illuminates the way in which we go over and fixate on isolated incidents in our minds of breakups past.
    • 48 Metascore
    • 63 Nick Prigge
    Song One
    This snapshot of catharsis follows a familiar trajectory, but Kate Barker-Froyland refreshingly resists elevating her characters' relationship to the level of grandiose.
    • 48 Metascore
    • 50 Nick Prigge
    October Gale
    The film begins as a moodily introspective drama about grief before implausibly morphing into a stale thriller.
    • 46 Metascore
    • 38 Nick Prigge
    The Calling
    The premise of faith-based assisted suicide as a motivating factor for a madman's killing spree is initially intriguing, but quickly revealed as solemn window dressing.
    • 44 Metascore
    • 50 Nick Prigge
    Barely Lethal
    The film settles into a time-honored groove of so many forgettable juvenile comedies before it.
    • 44 Metascore
    • 50 Nick Prigge
    13 Sins
    Daniel Stamm's film is solidly helmed, if expectedly over-reliant on unnecessarily grisly comeuppances that leave nothing to the imagination.
    • 39 Metascore
    • 50 Nick Prigge
    The Maid's Room
    Drina is less of an individual, and one whom we wish to see avenged, than a transparent martyr for the collective sins of the wealthy few.
    • 39 Metascore
    • 38 Nick Prigge
    Pelé: Birth of a Legend
    The beautiful game, as Pelé called football (or soccer to us Americans), has never felt like such a sedate slog.
    • 34 Metascore
    • 38 Nick Prigge
    Addicted to Fresno
    The film's larger points essentially fall by the wayside in the name of black comedy that's largely without genuine edge.
    • 33 Metascore
    • 25 Nick Prigge
    Amnesiac
    Its concern for the reclamation of identity is less important than the dull approximation of The Others' stark haunted-house atmospherics.
    • 33 Metascore
    • 38 Nick Prigge
    Jenny's Wedding
    Tolerance in the film doesn't so much suggest a recognizably real epiphany as it does a moving Hallmark card.
    • 28 Metascore
    • 38 Nick Prigge
    A Merry Friggin' Christmas
    Whereas "Bad Santa" was nastier and riskier, as well as more mischievously winsome, A Merry Friggin' Christmas is as curiously timid as it is morally dubious.
    • 25 Metascore
    • 38 Nick Prigge
    The Man on Her Mind
    The film suggests an ineffectual mishmash of Ruby Sparks-ish high concept and modern Elizabethan comedy.
    • 18 Metascore
    • 50 Nick Prigge
    Behaving Badly
    Falls back on the trappings of the film's innumerable teenage gross-out forefathers with tiresome vulgarity and rote misunderstandings in place of genuine insight.
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