Nate Richard

The Plague, at times, can be too grueling a watch, especially in its graphic depiction of self-harm. It's also one of the most vital movies in recent memory in capturing what it's like to be 12 or 13 years old.

Nirvanna the Band the Show the Movie is not only the funniest movie I’ve seen at SXSW, it’s one of the funniest I’ve seen in years.

Arthur the King plays out like both your typical sports movie and your average dog flick. It's sometimes emotionally manipulative and full of melodrama, yet that doesn't stop it from being a perfectly fine way to spend 90 minutes at the movie theater, especially for dog lovers.

Till will go down as one of the most powerful and important films to hit the screen in 2022, Danielle Deadwyler is unforgettable, and the film has a voice that needs to be heard more. A single movie is not going to stop hate, but that isn't the intent, this is a film that challenges its audience to open their eyes even more to racial injustice.

Iron Lung is far from a perfect movie, and the pacing ultimately makes the conclusion feel exhausting rather than exhilarating or shocking. You'll be ready to leave once the credits roll. Yet, the craftsmanship is there; with his directorial debut, Fischbach shows that he's more than just a YouTuber, and he can conjure up the same kinds of scares that make him scream as he's playing games.

As your run-of-the-mill newsroom thriller, September 5 proves to be a riveting watch with two stand-out performances from Sarsgaard and Magaro and compelling direction from Fehlbaum.

Timberlake's acting aside, Reptile is the perfect kind of digestible, mid-budget crime thriller that we just don’t get enough of.

The pacing is brisk without once overstaying its welcome, it has an ultra-charismatic lead, plus boasts all the violence, chaos, and melodrama one could want out of this particular movie.

Foxx shines in every single moment that he's on-screen. He's able to hone in his comedic prowess and his dramatic chops delivering a performance that reminds us why he's a one-of-a-kind performer.

Carry-On is pure escapist fare that you can turn on while sitting next to your Christmas tree, and it has enough energy that you won’t feel the need to check your phone every 10 minutes.

Kill is every bit as insanely violent as you could hope for. It mixes melodrama, romance, and an aggressive amount of violence in ways that few filmmakers are capable of doing.

She Said doesn't rewrite the playbook of films about journalism, but it didn't need to. Maria Schrader's direction and Rebecca Lenkiewicz's writing hit every important beat just right, leaving us with an impactful film that's genuine and never fake.

It is not only one of the best animated films of the year, but it's one of DreamWorks' best, and one that will strike a chord with moviegoers of all ages. It's equal parts exciting and hilarious as well as earnest, it never feels like it is talking down to anyone.

Leonberg shows so much promise, ultimately delivering a horror movie that not only has the scares but also a massive heart. However, it does also help that the movie is centered around a cute dog.

Once Arnett's Alex takes the stage, it transforms into one of the most memorable and heartfelt films you'll see all year.

National Anthem may at times feel a bit too simple, but the craftsmanship and the core performances are enough to make it worth a watch.

The Strangers might not be the kind of horror movie I’ll revisit time and time again, but it will stick with me, finding ways to freak me out with minimal resources.

The humor ultimately feels lazy, and while the original film has had some mighty staying power, this new installment feels dead on arrival.

John Magaro, Steve Zahn, and Dylan Baker lead a cast of stellar character actors in a film that winds up being one of the better Fargo-adjacent movies we’ve gotten in some time.

Brats serves as not only an enjoyable walk down memory lane but also something deeper and more self-reflective.

Crowder’s documentary could have just felt like another puff piece and, in some ways, it can be. However, the movie always feels completely genuine and told from the heart.

It's a silly movie, make no mistake, but it's an endearingly one nonetheless.

It's a joyous, heartfelt, hilarious, and emotional dramedy that won't leave your mind.

The End We Start From leaves the audience with plenty to ponder and think about alongside reminiscing about Comer's incredible performance.

It might not be a future genre classic, but thanks to Courtney's utmost commitment to his villainous role, you'll be glad you dipped your toes in the water by the time the credits roll.

Landon has proven himself to be one of the best studio filmmakers in delivering enjoyable genre-forward movies, and Drop may just be his best movie yet.

The Lost Bus may not reach the heights of some of Greengrass' finest work, but that's a high bar to reach. Thanks to some immersive setpieces, grounded performances, and stellar direction, the latest film from Apple TV+ rises above its shortcomings, resulting in a gripping docudrama that is worthy of your time.

Cold Storage is a far better movie than you'd expect, thanks to its clever script, committed cast, and energetic direction. If you are hankering to watch more of Joe Keery battling monsters in the wake of the Stranger Things finale, this is just what the doctor ordered.