Nadia Dalimonte

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For 22 reviews, this critic has graded:
  • 54% higher than the average critic
  • 13% same as the average critic
  • 33% lower than the average critic
On average, this critic grades 7.1 points higher than other critics. (0-100 point scale)

Nadia Dalimonte's Scores

  • Movies
  • TV
Average review score: 73
Highest review score: 90 The Secret in Their Eyes
Lowest review score: 40 The Ugly
Score distribution:
  1. Positive: 16 out of 22
  2. Mixed: 6 out of 22
  3. Negative: 0 out of 22
22 movie reviews
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    • 79 Metascore
    • 60 Nadia Dalimonte
    The Christophers
    The Christophers may not be Soderbergh operating at his peak, nor does the film build to a satisfying or impactful conclusion. Regardless, Coel and McKellen make this creative endeavour worthwhile.
    • 55 Metascore
    • 50 Nadia Dalimonte
    The Best You Can
    Lacking focus in the writing and direction, the film ultimately falls short of crafting a satisfying journey for the viewer to follow.
    • 59 Metascore
    • 60 Nadia Dalimonte
    Fuze
    The film struggles to find an effective core focus that ties all the narratives together in a cohesive and entertaining manner. Ultimately, Fuze lacks the precision in its writing to make the twists and turns worthwhile.
    • 56 Metascore
    • 50 Nadia Dalimonte
    Nonnas
    While director Stephen Chbosky and writer Liz Maccie have the heart in the right place with Nonnas, honoring generations of family tradition, a formulaic approach limits how far this inspiring story can go creatively.
    • 55 Metascore
    • 60 Nadia Dalimonte
    Picture This
    Picture This may not be the most unique story, nor does it reach the pinnacle of the rom-com genre. But the film finds enough moments of freshness and earnestness in the protagonist’s journey to stand out in a sea of generic rom-coms. Ashley’s incredibly charming performance is the most compelling highlight of the film.
    • 50 Metascore
    • 40 Nadia Dalimonte
    The Ugly
    What could have been an effective investigative drama and character study loses all momentum in the film’s structure.

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