Murtada Elfadl

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The A.V. Club, Variety
For 86 reviews, this critic has graded:
  • 44% higher than the average critic
  • 8% same as the average critic
  • 48% lower than the average critic
On average, this critic grades 0 points lower than other critics. (0-100 point scale)

Murtada Elfadl's Scores

  • Movies
  • TV
Average review score: 66
Highest review score: 100 Killers of the Flower Moon
Lowest review score: 25 A Good Person
Score distribution:
  1. Positive: 51 out of 86
  2. Mixed: 25 out of 86
  3. Negative: 10 out of 86
86 movie reviews
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    • 39 Metascore
    • 30 Murtada Elfadl
    The Home
    Davidson shows he may not have the chops to carry a horror film, while DeMonaco fails to deliver any thrills this time. Ultimately, it’s a by-the-numbers effort that proves quite disappointing.
    • tbd Metascore
    • 30 Murtada Elfadl
    Madea's Destination Wedding
    Nearly every scene plays a bit too long. The characters keep at it until they exhaust the situation and whatever jokes it brings, to the point it stops being funny and starts to grow tiresome.
    • 54 Metascore
    • 25 Murtada Elfadl
    Knox Goes Away
    Unfortunately, with limp, elongated scenes rendering them unexciting, the whole plot unfolds like a long afterthought the filmmakers had after the audience lost all interest.
    • 43 Metascore
    • 25 Murtada Elfadl
    Bob Marley: One Love
    Unfortunately director Reinaldo Marcus Green, along with his co-screenwriters Terence Winter, Frank E. Flowers and Zach Baylin, waste this opportunity and Marley’s legacy with a rather limp story full of cliches and perplexing choices.
    • 48 Metascore
    • 30 Murtada Elfadl
    Good Burger 2
    It’s the lame jokes and repetitive dialogue that keep it from landing any laughs. The cast is essentially left stranded, mugging for the cameras as they desperately try to compensate for the undercooked script.
    • 33 Metascore
    • 30 Murtada Elfadl
    Five Nights at Freddy's
    Faced with a flat script and uninspired direction, the actors can’t save Five Nights at Freddy’s.
    • 36 Metascore
    • 30 Murtada Elfadl
    The Out-Laws
    A by-the-books comedy, “The Out-Laws” misses its target. It doesn’t make its audience laugh, and it wastes its cast by putting them in the most obvious situations and giving them forgettable jokes.
    • 50 Metascore
    • 25 Murtada Elfadl
    A Good Person
    Asking the question “what makes a good person” might have been an intriguing idea. However, in trying to come up with an answer, A Good Person ends up presenting an overwrought narrative that’s full of cliches that do not resonate.
    • 42 Metascore
    • 30 Murtada Elfadl
    The Locksmith
    The plot is so straightforward and reminiscent of a thousand other crime movies that nothing will be missed. Alas, nothing is gained either, and the entertainment value is subpar at best.
    • tbd Metascore
    • 33 Murtada Elfadl
    Lamborghini: The Man Behind the Legend
    This is anonymous filmmaking of the highest order—it could be about anyone. There’s no insight into Ferruccio Lamborghini or what made his pursuits special. It could also be directed by anyone—Moresco’s indistinct filmmaking is neither enthralling nor involving.

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