Molly Freeman

The Kissing Booth 2 has some fun moments, especially for fans, but is ultimately an overwrought, overstuffed and overlong teen romcom sequel.

Army of the Dead is by no means a must-watch zombie or heist movie, and folks uninterested in this film would be fine to skip it.

Captain America: Brave New World lacks the entertainment of an MCU movie, despite compelling performances from Anthony Mackie and Harrison Ford.

The Craft: Legacy excels when reveling in its girl power witchcraft, but falls apart in the third act without a well-developed villain.

The Babysitter: Killer Queen is junk food entertainment at its most mediocre, delivering barely enough blood and fun without anything truly memorable.

Despite a fine performance from Jared Leto, Morbius is a painfully mediocre superhero origin story, delivering a shallow recreation of better movies.

Like many of Netflix's original movies, Kate feels like another release that had potential to be good, but falls well short of the mark.

In Eurovision Song Contest: The Story of Fire Saga, Ferrell's typical schtick is on full display, but wears incredibly thin in this overlong comedy.

Altogether Underwater is a middling movie that spans multiple genres, from sci-fi and thriller to action and horror, and can't seem to focus on any specific one.

Disney's Stargirl is a mediocre teen movie about individuality and growing up, lacking the magic to make this manic pixie dream girl story work.

Love Wedding Repeat is too cringey to be any fun and fails to deliver on its premise of multiple alternate timelines.

Netflix's Work It is bogged down by its trite and wholly unoriginal underdog story, but its charismatic young leads help the movie limp to the end.

The Flash is a passable multiverse superhero movie, but no amount of DC cameos can make audiences forget the awful off-screen actions of Ezra Miller.

Johnson and Hart have proved a formidable movie duo in the past, but without their usual on-screen charm, it's tough to get invested in the stories of Krypto and Ace. Even with their star-power and a slew of talented performers making up the supporting cast, DC League of Super-Pets doesn't offer much.

The Kissing Booth 3 is overstuffed and overcomplicated, but provides some shallow summer fun as the final chapter to Netflix's teen rom-com trilogy.

Madame Web is boring, unimaginative and dated, despite being one of very few superhero movies centering on female superheroes. All in all, Madame Web is a superhero movie you can absolutely skip.

He's All That is a hollow Gen Z recreation of She's All That, lacking in charm and seemingly engineered as a vehicle to promote its stars' other work.

The King's Man is a joyless prequel to Kingsman, devoid of the charming offbeat comedy and pulse-pounding action scenes that made this franchise fun.

There is too much history — both in terms of the characters and the mythology — for newcomers to truly appreciate the events of the film. But it's unlikely to fully satisfy even the diehard fans either, even if there's some wicked enjoyment to be had seeing the Teen Wolf characters finally get to swear.

Those looking for classic Scooby-Doo or anything more than superficial entertainment can skip Scoob! - even with the dearth of new movies.