For 50 reviews, this critic has graded:
  • 56% higher than the average critic
  • 8% same as the average critic
  • 36% lower than the average critic
On average, this critic grades 8.6 points lower than other critics. (0-100 point scale)

Miriam Bale's Scores

  • Movies
  • TV
Average review score: 57
Highest review score: 100 Caucus
Lowest review score: 10 Walter: Lessons from the World's Oldest People
Score distribution:
  1. Positive: 20 out of 50
  2. Negative: 10 out of 50
50 movie reviews
    • 53 Metascore
    • 50 Miriam Bale
    The film feels meandering. Not only does it offer a jumble of ideas that aren’t followed through, but it’s also structured oddly.
    • tbd Metascore
    • 50 Miriam Bale
    [A] useful, if slightly redundant, oral history.
    • tbd Metascore
    • 50 Miriam Bale
    In addition to the copious flashbacks, there is an overly generous heaping of styles on display.
    • 48 Metascore
    • 50 Miriam Bale
    Unfortunately, the movie lacks strong enough players to fill in subtext to Mr. Kent’s formulaic setups, and the story flounders once Ms. Posey is out of the picture.
    • 65 Metascore
    • 50 Miriam Bale
    It’s difficult to dislike a documentary with such noble, generous subjects, but the film is unfocused and repetitious, not sure whether it is a road trip, a story of a couple or an exploration of small art institutions.
    • tbd Metascore
    • 50 Miriam Bale
    Mr. Verrette shows talent in conveying complex emotions, yet he’s handicapped by his grand ambition and an inability to do simple scenes well.
    • 38 Metascore
    • 40 Miriam Bale
    Very young children fluent in French may enjoy the film for its jokes, but anyone old enough to read the subtitles is likely to be unamused.
    • 49 Metascore
    • 40 Miriam Bale
    The two leads have enough genuine sex appeal to make the film endurable.
    • 37 Metascore
    • 40 Miriam Bale
    The Nut Job features muddy-colored and often ugly animation, a plot that feels too stretched out and loaded with details to hold the attention of most children, and more flatulence jokes than anyone deserves.
    • 49 Metascore
    • 40 Miriam Bale
    With a group so evidently versed in the visuals of rock history, it’s a shame that a filmmaker wasn’t hired who would pay homage to classic pop films instead of offering a satisfactory paid promotional.
    • 53 Metascore
    • 30 Miriam Bale
    It is a film with nothing but delight — no major revelations, no gravity and no meaning. This superficiality is a problem only because of the pretense of being about great art.
    • 48 Metascore
    • 30 Miriam Bale
    This well-intentioned “docu-comedy” (as the filmmakers label it in publicity notes) is not very funny.
    • 42 Metascore
    • 30 Miriam Bale
    In general, the film feels like all setup and no punch line.
    • 23 Metascore
    • 30 Miriam Bale
    This is a message film with the narrative sophistication of a recruiting pamphlet.
    • 38 Metascore
    • 30 Miriam Bale
    Free Birds is likely to leave audiences fuzzy-headed and vaguely nauseated instead of nourished and satisfied.
    • 48 Metascore
    • 20 Miriam Bale
    Watching this movie feels like viewing a very long, expensive car commercial and waiting for the real film to begin.
    • tbd Metascore
    • 20 Miriam Bale
    It’s essentially a modern version of “The Big Chill” without the banging oldies soundtrack or competent actors.
    • 39 Metascore
    • 20 Miriam Bale
    Poor computer-generated effects give the movie an unsettling, two-layered feel.
    • 11 Metascore
    • 10 Miriam Bale
    The documentary is not really about these older people but about this couple.
    • 29 Metascore
    • 10 Miriam Bale
    The miracle of the new 3-D dance film Battle of the Year is how it can be so relentlessly boring while there is so much frenetic activity on screen.

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