Miriam Bale

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The New York Times
For 50 reviews, this critic has graded:
  • 56% higher than the average critic
  • 8% same as the average critic
  • 36% lower than the average critic
On average, this critic grades 8.6 points lower than other critics. (0-100 point scale)

Miriam Bale's Scores

  • Movies
  • TV
Average review score: 57
Highest review score: 100 Caucus
Lowest review score: 10 Walter: Lessons from the World's Oldest People
Score distribution:
  1. Positive: 20 out of 50
  2. Mixed: 20 out of 50
  3. Negative: 10 out of 50
50 movie reviews
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    • 42 Metascore
    • 30 Miriam Bale
    Awful Nice
    In general, the film feels like all setup and no punch line.
    • tbd Metascore
    • 20 Miriam Bale
    The Fall of 1980
    It’s essentially a modern version of “The Big Chill” without the banging oldies soundtrack or competent actors.
    • 38 Metascore
    • 30 Miriam Bale
    Free Birds
    Free Birds is likely to leave audiences fuzzy-headed and vaguely nauseated instead of nourished and satisfied.
    • 23 Metascore
    • 30 Miriam Bale
    I'm in Love with a Church Girl
    This is a message film with the narrative sophistication of a recruiting pamphlet.
    • 11 Metascore
    • 10 Miriam Bale
    Walter: Lessons from the World's Oldest People
    The documentary is not really about these older people but about this couple.
    • 39 Metascore
    • 20 Miriam Bale
    Vikingdom
    Poor computer-generated effects give the movie an unsettling, two-layered feel.
    • 48 Metascore
    • 30 Miriam Bale
    The Muslims Are Coming!
    This well-intentioned “docu-comedy” (as the filmmakers label it in publicity notes) is not very funny.
    • 29 Metascore
    • 10 Miriam Bale
    Battle of the Year
    The miracle of the new 3-D dance film Battle of the Year is how it can be so relentlessly boring while there is so much frenetic activity on screen.
    • 48 Metascore
    • 20 Miriam Bale
    Bounty Killer
    Watching this movie feels like viewing a very long, expensive car commercial and waiting for the real film to begin.
    • 53 Metascore
    • 30 Miriam Bale
    The Artist and the Model
    It is a film with nothing but delight — no major revelations, no gravity and no meaning. This superficiality is a problem only because of the pretense of being about great art.

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