Michael Talbot-Haynes

Throughout Sick, Williamson decisively proves that breaking all the rules sometimes breaks the movie.

There is this marvelous hard-boiled narrative style Vigas employs, with long periods without dialogue and little exposition. The way the intrigue is built as the picture progresses almost takes us into thriller territory. This is the cinematic storm the filmmaker creates here when a child’s yearning meets the brutality of an outlaw land.

Even though this is just a blood-stained shadow of Argento’s previous masterworks, the fact that he has produced something worthwhile again is a cause for celebration.

By reducing the impact of addiction to wearing sunglasses indoors and singing badly for Scandinavians, all cautionary benefits of Houston’s tragedy are lost in the stage lights.

The Fabelmans will take your expectations of the Spielberg brand and tie them to a rocket. It is engaging and compelling. I am still pondering it days later. If you love movies, you owe it to yourself to catch this on that same big screen that Sammy loves so much.

With Adult Swim Yule Log, Kelly delivers a new dimension in seasonal insanity, and won’t the kids just love it? Just slide your arm into the crazy stocking until you hear a click.

EO is an incredible film, but do be aware it does skew bitter, especially at the finale.

Behind the pseudo-intellectual curtain of Philippe’s pseudo-documentary, you will not find a wizard. You will find nothing at all.

Strictly for hardcore horror fans, though I can see this also becoming a huge “dare you to watch it” event for the uninitiated. We haven’t had a movie this dangerous in the theaters in a long time, and its presence is both important and historical in the history of extreme cinema. This movie will bite your face off.

The uninitiated may wonder what the fuss is about, but for the true Fassbinder Heads out there, Peter von Kant is a revelation. Ozon has made one of the best homages to a master filmmaker ever made.

Take Me To The River: New Orleans is edited together in a way more organic to music than traditional documentaries, which works wonders.

The proceedings have that perfect narrative balance of a simple fairytale, leading to baffling visions and fantastic ideas.

While this adaptation isn’t in the same league as Gordon’s or Richard Stanley’s Lovecraft work, it does have the hideous glow that horror fans will be drawn to.

It is a magnificent documentary on art and how artists interact with the world.

Leemans puts in one of the best performances I have seen by an actress playing a male prostitute while actually pregnant. Likewise, Hentschel puts in one of the best performances I have seen by an actor playing a pregnant woman tripping on mushrooms while buck-a*s naked. The two completely inhabit each other’s characters, never sinking down to ridiculing them no matter how hard the onslaught of comedy gets.

Medusa is an electrifying work of art that elevates its already elevated pop influences, a transcendental tableau of the true-life horror of female oppression.

Kai paints her subject lovingly, hitting the classics like the world’s greatest visual jukebox. Like a Rolling Stone: The Life and Times of Ben Fong-Torres is a fun-filled look at a member of the old school who wasn’t a class clown.

There is plenty of good meat on the bone here for the hungriest horror hounds. If you have some time to burn, the new Firestarter is definitely worth it.

The story twists and struggles keep engaging through, whether you know the outcome or not.

Swept Away is truly an amazing movie that is still as potent at 50 years old as it was back in the day.