Michael Roffman

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For 101 reviews, this critic has graded:
  • 67% higher than the average critic
  • 1% same as the average critic
  • 32% lower than the average critic
On average, this critic grades 3.9 points higher than other critics. (0-100 point scale)

Michael Roffman's Scores

  • Movies
  • TV
Average review score: 69
Highest review score: 100 This Is Spinal Tap
Lowest review score: 0 31
Score distribution:
  1. Positive: 69 out of 101
  2. Negative: 9 out of 101
101 movie reviews
    • 41 Metascore
    • 33 Michael Roffman
    It’s a paint-by-numbers would-be blockbuster entirely built around the delusional notion that general audiences can’t be scared by anything more thoughtful than recycled jump shocks and derivative monsters.
    • 43 Metascore
    • 25 Michael Roffman
    Shyamalan comes off so smug by the end of this movie that it’s insufferable — and also kind of jarring. It’s as if he’s learned nothing from his past and still believes he’s pulling a quick one on his audience.
    • 57 Metascore
    • 33 Michael Roffman
    If you’re going to tackle serious subject matter, maybe don’t run it through tacky fluff that amounts to a fleeting sugar high. Sure, this movie will get all the right oohs and aahs, sighs and sobs — it certainly won over the freebie test audience at my screening, good god — but it won’t linger.
    • 46 Metascore
    • 25 Michael Roffman
    It’s about as effective as a Walgreens Halloween display, where any terror derives from uninspiring shock value, and given that each and every pop-up scare can be seen from over a mile away, the movie fails in that respect, too. It’s exhausting even.
    • 38 Metascore
    • 0 Michael Roffman
    Everything’s so achingly foul and with zero finesse, which makes for an awful, joyless experience.
    • 47 Metascore
    • 25 Michael Roffman
    Blair Witch is disappointing on multiple levels, all of which have nothing to do with the franchise.
    • 56 Metascore
    • 25 Michael Roffman
    Which is why Antibirth feels more like an anti-film, a piss-poor assembly of remarkable cult actors and brazen narratives that start off divorced without ever being married.
    • 35 Metascore
    • 0 Michael Roffman
    31
    It’s an unnecessary, monotonous, 102-minute scrapbook of better horror films that fails to muster even a spark of originality.
    • 65 Metascore
    • 33 Michael Roffman
    It’s slick and stylish to the point of distraction. This isn’t horror; this is exaggerated carnival fare.

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