Michael Rechtshaffen
Select another critic »For 1,187 reviews, this critic has graded:
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52% higher than the average critic
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10% same as the average critic
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38% lower than the average critic
On average, this critic grades 8.2 points lower than other critics.
(0-100 point scale)
Michael Rechtshaffen's Scores
- Movies
- TV
| Average review score: | 57 | |
|---|---|---|
| Highest review score: | Coco | |
| Lowest review score: | The Assignment | |
Score distribution:
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Positive: 530 out of 1187
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Mixed: 449 out of 1187
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Negative: 208 out of 1187
1187
movie
reviews
- By Date
- By Critic Score
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- Michael Rechtshaffen
The plodding film goes awfully heavy on script exposition and all too light on character depth, leaving Cage and company — including a smartly cast Peter Fonda as his been-there, done-that alcoholic dad — to come up with their own complexity.- Los Angeles Times
- Posted Aug 6, 2015
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- Michael Rechtshaffen
Resembling something dwelling in the bottom of the remainder bin, The Seventh Dwarf is a garish-looking, slapdash mashup of an animated fairy tale.- The Hollywood Reporter
- Posted Jul 30, 2015
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- Michael Rechtshaffen
Even with an energetic approach by co-directors Kief Davidson and Daniel Junge and fittingly playful narration by Jason Bateman, you can't help but hear a little "ka-ching!" every time images of a shiny new creation fill the screen.- Los Angeles Times
- Posted Jul 30, 2015
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- Michael Rechtshaffen
Many of Gameau's findings won't come as earth-shattering revelations, but he takes a resourceful approach to presenting the material, coating all the inconvenient truths in kid-friendly, brightly colored graphics and zippy animations.- Los Angeles Times
- Posted Jul 30, 2015
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- Michael Rechtshaffen
With its solid performances, nice attention to period detail and a foreboding rumble of a symphonic score by Jan Duszynski, Jack Strong adds a unique Eastern Bloc POV to the enduring Cold War movie arsenal.- Los Angeles Times
- Posted Jul 26, 2015
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- Michael Rechtshaffen
Twinsters is a lively — and quite lovely — take on contemporary notions of family and identity.- Los Angeles Times
- Posted Jul 26, 2015
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- Michael Rechtshaffen
The film taps into some genuine, relatable truths lurking beneath all that try-too-hard quirkiness.- Los Angeles Times
- Posted Jul 23, 2015
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- Michael Rechtshaffen
Expertly playing with our preconceived notions, Granik's multidimensional portrait also serves as a telling state-of-the-union address, as seen through the caring eyes of her philosophical main subject.- Los Angeles Times
- Posted Jul 23, 2015
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- Michael Rechtshaffen
Rather than sticking with that entirely workable setup, writer-director Martin keeps distractedly flip-flopping back and forth in time leading up to the big heist, preventing the plotting from building any tangible tension.- Los Angeles Times
- Posted Jul 23, 2015
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- Michael Rechtshaffen
Lila & Eve is a standard-issue female vigilante thriller that's skillfully elevated by the performances of leads Viola Davis and Jennifer Lopez.- Los Angeles Times
- Posted Jul 16, 2015
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- Michael Rechtshaffen
Pablo Fendrik's Ardor is a densely atmospheric, Sergio Leone-steeped western that ultimately proves too reverential for its own good.- Los Angeles Times
- Posted Jul 16, 2015
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- Michael Rechtshaffen
Holdridge and Saasen simply lack the acting chops to carry their feature, leaving them with a scenic but indulgent selfie of a big-screen romance.- Los Angeles Times
- Posted Jul 9, 2015
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- Michael Rechtshaffen
This evangelical "Dear America: Letters Home From Vietnam" by way of "The Dukes of Hazzard" takes a mighty ridiculous route to righteousness.- Los Angeles Times
- Posted Jun 30, 2015
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