Michael Rechtshaffen
Select another critic »For 1,187 reviews, this critic has graded:
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52% higher than the average critic
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10% same as the average critic
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38% lower than the average critic
On average, this critic grades 8.2 points lower than other critics.
(0-100 point scale)
Michael Rechtshaffen's Scores
- Movies
- TV
| Average review score: | 57 | |
|---|---|---|
| Highest review score: | Coco | |
| Lowest review score: | The Assignment | |
Score distribution:
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Positive: 530 out of 1187
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Mixed: 449 out of 1187
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Negative: 208 out of 1187
1187
movie
reviews
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- Michael Rechtshaffen
Unlike the last Scott-Washington matchup, "Man on Fire," Deja Vu boasts a muscular, fast-forward story that won't be overwhelmed by Scott's need for speed in the form of rapid cuts and all that visual fusion that have become his stylistic trademark. Here, the approach is perfectly suited to the picture's time-shifting, multitasking structure.- The Hollywood Reporter
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- Michael Rechtshaffen
While director-writer Liford...hits a bit of a snag with an abrupt mood shift in the last 15 minutes that doesn’t feel true to the prevailing vibe, he usually hits the perceptive mark.- The Hollywood Reporter
- Posted Apr 30, 2013
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- Los Angeles Times
- Posted May 7, 2015
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- Michael Rechtshaffen
And although the film might stint on full renditions of their songs, one of the few played in its entirety is a gorgeous, relaxed acoustic version of “Honky Tonk Women” delivered by Mick and Keith in a vacant dressing room.- Los Angeles Times
- Posted Oct 6, 2016
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- Michael Rechtshaffen
It's the affable cast, headed by Drew Barrymore and John Krasinski, that really makes the picture so widely accessible.- The Hollywood Reporter
- Posted Feb 1, 2012
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- Michael Rechtshaffen
Effectively anchoring the picture is Keke Palmer's lovely lead performance as Akeelah Anderson.- The Hollywood Reporter
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- Michael Rechtshaffen
A winning mix of sharp comedy and touching bits that keeps the laughter -- a few tears -- flowing.- The Hollywood Reporter
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- Michael Rechtshaffen
While time inevitably marches on, director Roger Mainwood has a splendid constant at his disposal in the pitch-perfect voice performances of Blethyn and Broadbent, who inhabit their hand-drawn characters with a vivid, fully-dimensional authenticity.- Los Angeles Times
- Posted Dec 14, 2017
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- Michael Rechtshaffen
An engaging portrait of a functionally dysfunctional family.- The Hollywood Reporter
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- Michael Rechtshaffen
Credit a youthful, energetic spirit, nicely conveyed by its cast of naturally-acting newcomers, a workable raw-footage construct and a spare but smartly spent special effects budget for the satisfying end result.- The Hollywood Reporter
- Posted Jun 7, 2014
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- Michael Rechtshaffen
The latest installment could well be Romero's masterpiece. Taking full advantage of state-of-the-art makeup and visual effects, he has a more vivid canvas at his disposal, not to mention two decades worth of pent-up observations about American society.- The Hollywood Reporter
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- Michael Rechtshaffen
Although the title might suggest cheesy sensationalism, A Monster With a Thousand Heads serves as a sobering, all-too-relatable indictment of the bureaucratic Hydra that is the medical insurance industry.- Los Angeles Times
- Posted May 19, 2016
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- Michael Rechtshaffen
Haphazard plotting and seriously undernourished character development aside, none of the emotional stakes have been planted deeply enough to elicit audience involvement in young Pete’s plight.- The Hollywood Reporter
- Posted Jul 27, 2016
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- Michael Rechtshaffen
A turbo-charged satire that swaps out Gen X video arcade nostalgia for our current, all-consuming social-media-fueled obsession, the endlessly inventive Walt Disney Studios Animation follow-up impressively levels up with laugh-out-loud consistency.- The Hollywood Reporter
- Posted Nov 14, 2018
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- Michael Rechtshaffen
With the colorful Allison — he’d fit right into one of KFC’s revolving Colonel spots — and narrator Woody Harrelson at his disposal, Haney could have easily done without all the glossy dramatic recreations and frequent shout-outs to Bristol-Myers Squibb, which occasionally create the undesirable effect of a corporate promo video.- Los Angeles Times
- Posted Sep 26, 2019
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- Michael Rechtshaffen
On its exotic surface, Wildcat might hold all the trappings of a standard wildlife conservation documentary, but lurking beneath the lushly photographed camouflage is a tenderly moving, deeply empathetic human survival story that has as much to do with emotional trauma as it does with the physical.- Los Angeles Times
- Posted Dec 21, 2022
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- Michael Rechtshaffen
Mission Control: The Unsung Heroes of Apollo is a well-crafted, revealing British documentary.- Los Angeles Times
- Posted Apr 13, 2017
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- Michael Rechtshaffen
The impact of hearing Danny Glover’s calm voice reading published invitations to lynching parties remains chillingly undiminished.- Los Angeles Times
- Posted Sep 26, 2019
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- Michael Rechtshaffen
While its own roots never go quite as deep as they might, there’s still something goofily endearing about seeing Reitman, armed with that trusty bonsai, traipsing around the country on a healing mission.- Los Angeles Times
- Posted Dec 1, 2016
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- Michael Rechtshaffen
A risible misfire of a contemporary war drama, the low-budget “Unfallen” stands as an epic fail on all fronts.- Los Angeles Times
- Posted Jun 29, 2017
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- Michael Rechtshaffen
Resistance is futile. It's impossible not to be swept up into the uplifting world of Mad Hot Ballroom, a documentary that can be neatly summed up as the "Spellbound" of competitive ballroom dancing.- The Hollywood Reporter
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- Michael Rechtshaffen
Pulling off a rare three-peat, How to Train Your Dragon: The Hidden World is a tender, spirited coming-of-age CG-animated feature that proves every bit as emotionally resonant and artistically rendered as its 2010 and 2014 predecessors, if not even more so.- The Hollywood Reporter
- Posted Jan 2, 2019
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- Michael Rechtshaffen
The film fittingly embraces the elements of camp and kitsch that played such a major role in defining the Nomi persona.- The Hollywood Reporter
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- Los Angeles Times
- Posted Jun 6, 2023
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- Michael Rechtshaffen
Beautifully performed and penetratingly photographed, Jalilvand’s assured second feature bears the probing precision of one of those meticulous autopsies.- Los Angeles Times
- Posted Aug 9, 2018
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- Michael Rechtshaffen
Denzel Washington ventures into the dark side as a seriously corrupt narcotics cop in Training Day, and the results are electrifying. So is the picture, thanks to taut, sinewy direction by Antoine Fuqua and a compelling script by David Ayer (The Fast and the Furious).- The Hollywood Reporter
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- Michael Rechtshaffen
At once frank, tender and unapologetically funny, Come as You Are is a sweet surprise.- Los Angeles Times
- Posted Feb 13, 2020
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- Michael Rechtshaffen
A fiendishly entertaining Christmas yarn rooted in Northern European legend and lore, complete with a not-so-jolly old St. Nick informed more by the Brothers Grimm than Norman Rockwell.- The Hollywood Reporter
- Posted Dec 11, 2010
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- Michael Rechtshaffen
Although the documentary can feel like a volunteer instructional video at times, the faces on those who have fallen through the cracks in the system speak volumes.- Los Angeles Times
- Posted Dec 4, 2014
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- Michael Rechtshaffen
By the time one of the gun-toting members of Team Snipes growls “Let’s finish this!” viewers would be hard-pressed to disagree.- Los Angeles Times
- Posted Aug 3, 2017
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