Michael Frank

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RogerEbert.com, The Film Stage
For 67 reviews, this critic has graded:
  • 38% higher than the average critic
  • 1% same as the average critic
  • 61% lower than the average critic
On average, this critic grades 1.1 points higher than other critics. (0-100 point scale)

Michael Frank's Scores

  • Movies
  • TV
Average review score: 67
Highest review score: 91 On Becoming a Guinea Fowl
Lowest review score: 33 The Starling
Score distribution:
  1. Positive: 45 out of 67
  2. Mixed: 20 out of 67
  3. Negative: 2 out of 67
67 movie reviews
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    • 47 Metascore
    • 58 Michael Frank
    The Mission
    Capturing a portion of that contrast, due to the closeness and interest of its subjects, The Mission moves beyond an optimistic portrait and into murkier territory, making for a more valuable document. If only Anderson went even further and muddied up the glassy waters.
    • 46 Metascore
    • 50 Michael Frank
    Centigrade
    Though just under 90 minutes, the film falters with pacing. The story rarely progresses further than exchanged glances, lots of sleeping, and a few, tense, cold moments. The couple never looks to be in serious danger.
    • 44 Metascore
    • 42 Michael Frank
    Foe
    It becomes a mess of concepts, issues, and messages, an amalgamation of errors in tone and story.
    • 40 Metascore
    • 50 Michael Frank
    Meg 2: The Trench
    Statham is continually up to the challenge, kicking, punching, and fighting people and sharks alike. He’s on a run of mid-tier movies unlike anyone else in Hollywood, and once he gets going, jet-skiing around an island taking on three megs, the film finally transforms into pure entertainment.
    • 31 Metascore
    • 33 Michael Frank
    The Starling
    It will provide a fun discussion on what went wrong, rather than what went right, and that conversation will give more joy, story, and clarity than the film itself.
    • tbd Metascore
    • 67 Michael Frank
    All About My Sisters
    Unflinching in her questioning of the abandonment and how it affected each individual party, the film moves throughout Jin’s life with persistence and without rush. The result is an affecting, brutal look at the real-life trauma of the One-Child Policy for one economically struggling family in a rural area of China.
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