Merle Bertrand

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For 93 reviews, this critic has graded:
  • 49% higher than the average critic
  • 3% same as the average critic
  • 48% lower than the average critic
On average, this critic grades 2.3 points lower than other critics. (0-100 point scale)

Merle Bertrand's Scores

  • Movies
  • TV
Average review score: 63
Highest review score: 90 American Splendor
Lowest review score: 20 Wing Commander: Space Will Never Be the Same
Score distribution:
  1. Positive: 46 out of 93
  2. Negative: 4 out of 93
93 movie reviews
    • 73 Metascore
    • 80 Merle Bertrand
    Just a plain old fun movie.
    • 59 Metascore
    • 80 Merle Bertrand
    A heartwarming, cleansing film that's simply good for the soul.
    • 82 Metascore
    • 70 Merle Bertrand
    The film reveals a man whose wiry build, relentless passion, fearless guile, and bravery made him a beloved human rights activist in his strife-ridden country.
    • 38 Metascore
    • 80 Merle Bertrand
    While Intoxicating is far from a perfect film, it is nonetheless a highly effective -- and affecting -- clash of two fiercely independent talents, Kirk Harris and Mark David.
    • 66 Metascore
    • 70 Merle Bertrand
    The greatest accomplishment of Occupation: Dreamland is showing those of us on the home front that it really is possible, Republican howling to the contrary aside, to support our troops without supporting the war itself.
    • 67 Metascore
    • 80 Merle Bertrand
    War is chaos and confusion even under the best of circumstances, of which this current fiasco clearly ain’t. The Prisoner… underscores this fact, as well as muddying up the waters on such commonly accepted platitudes as "Support the Troops."
    • 36 Metascore
    • 70 Merle Bertrand
    There's just something maddeningly upbeat about this film's shameless hokiness. Combine that with the film's colorful art and wardrobe designs, spiffy choreography, the joy of seeing some veteran faces on screen for the first time in a while, and a soundtrack that'll make even the dead tap their toes, and Swing simply makes for some serious jump-jivin' fun.
    • 53 Metascore
    • 70 Merle Bertrand
    The appeal of The Burial Society lays in its unusual and obscure take on an otherwise mundane tale of greed, treachery and double-cross.
    • 43 Metascore
    • 80 Merle Bertrand
    Gleaming like a well-polished magic lamp on a vibrant Persian rug, The Keeper: The Legend of Omar Khayyam showcases Arabian/Muslim culture at its best and brightest.
    • 62 Metascore
    • 70 Merle Bertrand
    An unusual angle on the age-old coming of age story. Filled with solid performances by veteran actors Ivey and Raymond, as well as a captivating performance by newcomer Grace.
    • 46 Metascore
    • 80 Merle Bertrand
    If you liked "Magnolia," you'll also like Mind the Gap.
    • 69 Metascore
    • 70 Merle Bertrand
    By turns chilling, depressing, yet guardedly optimistic documentary.
    • 46 Metascore
    • 80 Merle Bertrand
    This well made, slightly cornball and riotously comical romantic comedy not only extols the old fashioned American dream, but charmingly celebrates the virtues of the great American melting pot as well.
    • 68 Metascore
    • 80 Merle Bertrand
    When done well, they are scintillating cinematic brain teasers, and Timecrimes is one of the best time travel films to come along in, er, quite some time.
    • 65 Metascore
    • 80 Merle Bertrand
    A powerful no-frills drama. It's a film that never flinches from its colorful, if sometimes cruel namesake neighborhood and the people who populate it.
    • 48 Metascore
    • 70 Merle Bertrand
    Highly entertaining film.
    • 71 Metascore
    • 70 Merle Bertrand
    One of those films where, even though you're pretty sure you know where it's going, it's still fun to get there.
    • 69 Metascore
    • 70 Merle Bertrand
    Has the intangible and distinctive feel of a movie from a different era. Which just adds to this fine film's mystique, providing yet another reason why The Cooler hits the jackpot.
    • 58 Metascore
    • 70 Merle Bertrand
    Ultimately a rewarding -- if weird -- experience. It's just too bad that it takes so long to get there.
    • 67 Metascore
    • 70 Merle Bertrand
    A rare high school dramedy with some heft to it. Smartly photographed and edited, it manages to walk the difficult tightrope strung between the typically loopy coming of age film and a simmering disaster in the making.
    • 62 Metascore
    • 70 Merle Bertrand
    A film that's every bit as odd, unique, and unnerving as its title character.
    • 70 Metascore
    • 70 Merle Bertrand
    A black comedy that nonetheless manages to tap into the sense of alienation and unfocused rage so prevalent in today's kids.
    • 55 Metascore
    • 70 Merle Bertrand
    An unusual tale about an often over-glorified era from our past, The Scoundrel's Wife exposes wartime America's sordid small town underbelly in a captivating, even entertaining manner.
    • 71 Metascore
    • 70 Merle Bertrand
    If the fascinating, if disconcerting Our Brand Is Crisis teaches us one thing, it's that consultants, handlers, lawyers, and middlemen can always find a job.
    • 40 Metascore
    • 70 Merle Bertrand
    Director Mike Bencivenga takes what could so easily have been a trite, cliche-riddled melodrama and instead, somehow turns it into...well, a wry and moving melodrama.
    • 61 Metascore
    • 80 Merle Bertrand
    A touching and almost ridiculously inspirational story for all of us.
    • 54 Metascore
    • 70 Merle Bertrand
    Unlikely but winning farce.
    • 80 Metascore
    • 70 Merle Bertrand
    Draws an unspoken parallel with, of all things, beauty pageants, complete with unnaturally driven kids and nervously supportive parents desperately trying not to appear too pushy.
    • 53 Metascore
    • 70 Merle Bertrand
    This white trash "War of the Roses" is a surprisingly engaging film.
    • 83 Metascore
    • 70 Merle Bertrand
    An amazingly powerful piece of cinema. Actually, it's more an amazingly powerful piece of news journalism; the kind of in-depth stories told in all their complexity that such fluff American network "news" magazines as "Dateline" could only dream about telling.

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