Megan Lehmann
Select another critic »For 329 reviews, this critic has graded:
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43% higher than the average critic
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3% same as the average critic
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54% lower than the average critic
On average, this critic grades 10.8 points lower than other critics.
(0-100 point scale)
Megan Lehmann's Scores
- Movies
- TV
| Average review score: | 55 | |
|---|---|---|
| Highest review score: | Holy Motors | |
| Lowest review score: | The Cookout | |
Score distribution:
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Positive: 160 out of 329
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Mixed: 72 out of 329
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Negative: 97 out of 329
329
movie
reviews
- By Date
- By Critic Score
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- Megan Lehmann
A likable trio of actors struggles valiantly but ultimately fails to keep this dopey buddy comedy afloat.- New York Post
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- Megan Lehmann
In trying to straddle both the grown-up and kiddie worlds with this inappropriately sexualized effort - their first theatrical release since 1995's "It Takes Two" - the Olsens have lost their footing.- New York Post
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- New York Post
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- Megan Lehmann
Chance encounters and fated love are the stuff of fairy tales, which is what makes the deliriously romantic sequel Before Sunset a small miracle.- New York Post
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- Megan Lehmann
Along with co-writer Emmanuele Bernhein, Ozon...has crafted a contemplative blend of fantasy and reality that illuminates the mysteries of the creative process.- New York Post
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- Megan Lehmann
It's not surprising that This Thing of Ours -- the title refers to the literal translation of La Cosa Nostra -- rings with authenticity and solid acting.- New York Post
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- Megan Lehmann
Like a bomb exploding in a fireworks factory: It's fierce and shocking and dazzling and wonderful.- New York Post
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- New York Post
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- Megan Lehmann
When Gilliam is finally forced to admit defeat, it is nothing short of heartbreaking - for audiences, too, as the few shots that made it into the can hold such promise.- New York Post
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- Megan Lehmann
Makes a powerful case against the wisdom of budget cuts at universities everywhere.- New York Post
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- Megan Lehmann
It's a credit to the actors, particularly the superb Campbell, that completely preposterous material can be made strangely touching.- New York Post
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- New York Post
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- New York Post
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- Megan Lehmann
Enough SpongeBob-meets-Monty-Python silliness to give adults a kick as well.- New York Post
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- Megan Lehmann
Clayburgh is the most dignified thing about this dreadfully overwrought, often preposterous romantic comedy.- New York Post
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- Megan Lehmann
The movie is saved by its well-trained four-legged stars and the likable Liam Aiken ("Road to Perdition"), who plays 12-year-old loner Owen Baker.- New York Post
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- Megan Lehmann
The trouble with authenticity in a punk rock film is that it comes off as amateurish, and while "Dolls" has a feverish energy -- and some good songs -- it suffers from crude performances and a trite rise-and-fall plot.- New York Post
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- New York Post
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- Megan Lehmann
Diva du jour Beyoncé Knowles may be the draw, but the real star of The Fighting Temptations is the sensational gospel soundtrack.- New York Post
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- Megan Lehmann
Makes an earnest stab at illustrating the hardships and sacrifices humanitarian workers contend with - but in the end, all the suffering merely forms an amorphous backdrop for a Harlequin romance.- New York Post
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- Megan Lehmann
Uniformly excellent performances keep this destabilizing tale ticking, yet one can't help wishing Hollywood had combined this cast and these timely themes with a little bit of imagination to come up with something fresh.- New York Post
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- Megan Lehmann
Delivers its provocative message in the measured tones of a college professor -- yet there's no danger of falling asleep in this lecture.- New York Post
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- Megan Lehmann
They resort too often to infantile flatulence jokes and fairly obvious gags about errant G-strings, with the anorexic plot culminating in the brothers having - yawn - learned to respect women's feelings.- New York Post
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- Megan Lehmann
This furious finger-pointer's doc is so one-sided, it undermines its own integrity.- New York Post
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- New York Post
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- Megan Lehmann
Apart from the slightly sanitized look of Reagan-era Harlem, this raw ghetto drama rings true, from the smooth dialogue to the unaffected performances of the central actors.- New York Post
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- Megan Lehmann
An amusing side dish to the sober political documentaries flooding the art houses, The Yes Men effectively uses high farce to mock the status quo as a way of questioning it.- New York Post
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- Megan Lehmann
If you give yourself over to it, this romantic tale of a liberating one-night stand proves oddly seductive and generates a warm afterglow.- New York Post
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- Megan Lehmann
An energetic, feel-good blend of comedy, romance and benign drama -- with a side dish of social commentary -- that works despite its strict adherence to the culture clash/generation gap formula.- New York Post
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- Megan Lehmann
Devoid of 21st-century irony, this visually stunning, action-packed yuletide treat is sweet and, yes, magical in a way that will enchant kids and give older viewers a twinge of nostalgia.- New York Post
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