Megan Lehmann

Select another critic »
New York Post, The Hollywood Reporter
For 329 reviews, this critic has graded:
  • 43% higher than the average critic
  • 3% same as the average critic
  • 54% lower than the average critic
On average, this critic grades 10.8 points lower than other critics. (0-100 point scale)

Megan Lehmann's Scores

  • Movies
  • TV
Average review score: 55
Highest review score: 100 Holy Motors
Lowest review score: 0 The Cookout
Score distribution:
  1. Positive: 160 out of 329
  2. Mixed: 72 out of 329
  3. Negative: 97 out of 329
329 movie reviews
view
per page
    • 52 Metascore
    • 38 Megan Lehmann
    Dopamine
    Can that achingly abstract thing called love be captured in a beaker or dissected like a frog splayed on a slab? That's the belabored premise of this dorky, clinically structured romance cooked up in the Sundance Institute's screenwriter and filmmaker labs.
    • 30 Metascore
    • 38 Megan Lehmann
    Knockaround Guys
    Any one episode of "The Sopranos" would send this ill-conceived folly to sleep with the fishes.
    • 36 Metascore
    • 38 Megan Lehmann
    Against the Ropes
    Ryan spends much of the grubby-looking boxing drama Against the Ropes with her face screwed up in distaste, as if a dirty sock is being waved under her nose. Perhaps it's because the movie she's in stinks.
    • 31 Metascore
    • 12 Megan Lehmann
    House of 1000 Corpses
    Kicks off as a cheap piece of retro schlock and quickly devolves into a putrid bloodbath with a thin narrative made utterly indecipherable by the first-time director's clueless approach to filmmaking.
    • 47 Metascore
    • 25 Megan Lehmann
    Hollywood Homicide
    There's little action in this snail-paced bore, you'll need a high-powered magnifying glass to spot the comedy and the "buddies" have about as much chemistry as a pair of wet socks.
    • 46 Metascore
    • 38 Megan Lehmann
    Food of Love
    Some solid performances and pretty scenery don't do much to conceal that there's a whole heap of nothing at the core of this slight coming-of-age/coming-out tale.
    • 36 Metascore
    • 12 Megan Lehmann
    Abandon
    A confusing mishmash.
    • 41 Metascore
    • 38 Megan Lehmann
    Torque
    It's a simple-minded celebration of speed that pretends to be nothing else, even throwing in the occasional wink to acknowledge its own silliness.
    • 30 Metascore
    • 12 Megan Lehmann
    The League of Extraordinary Gentlemen
    Unfathomable balderdash.
    • 73 Metascore
    • 38 Megan Lehmann
    Japanese Story
    Snoozy and unconvincing.
    • 40 Metascore
    • 25 Megan Lehmann
    Martin Lawrence Live: Runteldat
    It wouldn't matter so much that this arrogant Richard Pryor wannabe's routine is offensive, puerile and unimaginatively foul-mouthed if it was at least funny.
    • 44 Metascore
    • 25 Megan Lehmann
    It Runs in the Family
    An exercise in drudgery... The whole thing is so patently uninteresting it's hard to see it as anything but a Douglas family vanity project.
    • 22 Metascore
    • 12 Megan Lehmann
    Mr. Smith Gets a Hustler
    Kicks off with an inauspicious premise, mopes through a dreary tract of virtually plotless meanderings and then ends with a whimper.
    • 15 Metascore
    • 0 Megan Lehmann
    The Cookout
    Nasty, borderline bigoted, stunningly amateurish film.
    • 14 Metascore
    • 25 Megan Lehmann
    Dischord
    The promising tension between Gypsy and the arrogant Lucian never amounts to much, and the climax is comically melodramatic.
    • 43 Metascore
    • 38 Megan Lehmann
    Wonderland
    The problem is that there's not a sympathetic character among the nasty, brutish males. And the women, except for a flashy cameo by a swimsuit-clad Paris Hilton, are given short shrift.
    • 35 Metascore
    • 25 Megan Lehmann
    Stateside
    Anselmo handles sensitive issues not with kid gloves, but with a metaphorical baseball mitt, fumbling with tone and obviously laboring to force quirks upon characters and situations.
    • 77 Metascore
    • 38 Megan Lehmann
    The Cockettes
    Indulgent, tedious documentary.
    • 50 Metascore
    • 38 Megan Lehmann
    All My Loved Ones
    "Schindler's List" it ain't, and the whole is rendered occasionally surreal by Janusz Stoklosa's laughably heavy-handed score.
    • 33 Metascore
    • 25 Megan Lehmann
    Crazy as Hell
    The script is so overstuffed with painfully obvious clues (the constant patina of sweat on the cocky doctor's face, for one) that we don't need the ominous rumbles on the soundtrack to tell us where we're headed.
    • 52 Metascore
    • 38 Megan Lehmann
    Made-Up
    Tries to be many things -- romantic comedy, mockumentary, a satire on beauty and aging -- but ends up succeeding at none.
    • 39 Metascore
    • 12 Megan Lehmann
    Confusion of Genders
    The only feeling the character seems capable of is lust -- and when he hits on the male nurse looking after his newborn baby in the hospital, this hollow, unfunny "comedy" moves from merely tedious to nasty.
    • 51 Metascore
    • 38 Megan Lehmann
    Jim Brown: All American
    Lee gives his childhood hero altogether too much face time to defend himself against the numerous allegations and charges of assault, both physical and sexual.
    • 33 Metascore
    • 38 Megan Lehmann
    New York Minute
    In trying to straddle both the grown-up and kiddie worlds with this inappropriately sexualized effort - their first theatrical release since 1995's "It Takes Two" - the Olsens have lost their footing.
    • 44 Metascore
    • 38 Megan Lehmann
    Frankie and Johnny Are Married
    Self-indulgent folly.
    • 29 Metascore
    • 25 Megan Lehmann
    The 24th Day
    Boasts one of the most ludicrous plots ever committed to digital video.
    • 70 Metascore
    • 38 Megan Lehmann
    Prisoner of Paradise
    Frustratingly superficial.
    • 30 Metascore
    • 25 Megan Lehmann
    Never Again
    Clayburgh is the most dignified thing about this dreadfully overwrought, often preposterous romantic comedy.
    • 58 Metascore
    • 25 Megan Lehmann
    Outfoxed: Rupert Murdoch's War on Journalism
    This furious finger-pointer's doc is so one-sided, it undermines its own integrity.
    • 34 Metascore
    • 38 Megan Lehmann
    Hair Show
    The story is so slight, a low-wattage hair dryer could blow it away.
prev
Page:

Top Trailers

See all »
See all trailers »