Matthew Monagle

Even as a guilty pleasure, Maneater is a particularly rough watch.

Moonfall is bad – the wrong kind of bad – because everything in this formula fails to hold up its end of the bargain. The effects are muddled; the supporting cast is terrible. The only thing Moonfall delivers on is the big ideas, but by the time the movie begins to layer in the sci-fi absurdity, the film is already three-quarters of the way home.

Dear Evan Hansen is a rare musical that must be seen to be believed. Few shows are less equipped to grapple with their subject matter; watching someone Wikipedia the plot synopsis of the musical in real time remains one of the last true pleasures available to us as a society.

The film struggles to carve out a distinct aesthetic for its violence, alternating between crass comedy and cartoonish violence with no sense of how to combine these two into something sustainable.

Those obsessed with first-person and screenlife films may want to explore Profile from a strictly technical standpoint, and they are welcome to do so. Everyone else can avoid it entirely.