For 599 reviews, this critic has graded:
  • 57% higher than the average critic
  • 7% same as the average critic
  • 36% lower than the average critic
On average, this critic grades 4.2 points lower than other critics. (0-100 point scale)

Matt Donato's Scores

  • Movies
  • TV
Average review score: 61
Highest review score: 100 Guardians of the Galaxy
Lowest review score: 15 Dashcam
Score distribution:
  1. Negative: 35 out of 599
599 movie reviews
    • 44 Metascore
    • 75 Matt Donato
    Everything I’ve been asking for from a Resident Evil movie? Resident Evil: Welcome To Raccoon City accomplishes.
    • 64 Metascore
    • 80 Matt Donato
    Gaia is a dazzling bio-horror excursion.
    • 40 Metascore
    • 70 Matt Donato
    Submerged is a whole mess of tension primed to leave viewers in an anxiety-induced pile of helplessness, which means it does its job pretty damn well.
    • 63 Metascore
    • 70 Matt Donato
    12 Hour Shift never takes itself seriously enough to make the calamity that ensues anything more than “dumb fun,” and I mean that positively.
    • 69 Metascore
    • 85 Matt Donato
    Boyz In The Wood is the hippest, wildest, most energetic genre blowout to come from the UK since Attack The Block.
    • tbd Metascore
    • 75 Matt Donato
    The Pool is a bonkers blast from beginning to end. Each wave of misfortune crashes down harder than the last, pummeling a walled-in main character with sadistic spite.
    • 70 Metascore
    • 80 Matt Donato
    The Old Guard has everything you could want from a Netflix actioner. Combat situations get your adrenaline pumping, and it’s rather quick to the draw. Gina Prince-Bythewood establishes a world worth investment thanks to characters who develop farther than just another team of renegade badasses.
    • 46 Metascore
    • 30 Matt Donato
    You Should Have Left is a perfect example of how "forgettable" horror cinema is somehow more tedious than something that goes out in a blaze of failed ambition.
    • 60 Metascore
    • 80 Matt Donato
    Yes, the movie where a girl falls in love with a Tilt-A-Whirl says more about self-assurance, romantic wilds, and personal comforts than most human-on-human counterparts.

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