Marta Barber

Takes one side, but it tries to offer hope that change can happen.

A Frenchman may have thought of the story first, but this Korean film pays tribute to the original while perfectly standing on its own.

Though far from perfect -- the film is predictable -- Satin Rouge is a refreshing view of a foreign culture.

Innocence is a gentle love story, one that touches on an issue of great sensitivity -- sexuality in old age.

Cynics may not fall for its melodrama, but Riding Alone is good for everyone else, including children.

Puts you on edge about what goes on behind the closed doors of the White House. Even if the case against Kissinger is not fully convincing, the documentary keeps you glued to your seat and thinking long after you've left the theater.

There are few moments when you're not totally absorbed by the film.

Sometimes engaging, sometimes amusing and ultimately surprising.

The film has a rather charming way of convincing you that there are times to shrug off the caviar and champagne and go for a fulfilling bowl of spaghetti.

The stories touch our sensibilities, but the documentary never sugarcoats the childrens' experiences.

A film more psychological than passionate, more mental than emotional.

A warm, funny, engaging film by Patricia Cardoso that realistically portrays the struggles of many first-generation American women.

Strong acting from Khoury saves the weak storyline.

Brutal and devastating.

Despite its entertaining and insightful dialogue, can also be a bore.

Ushpizin may not turn out to be as popular as Miracle on 34th Street, but if you believe that miracles can happen, it is a perfect outing during the holidays.

In House of Sand, shifting sands are not a cliché; they provide the essential emotional and visual elements that make this film memorable.

This Israeli film gives us an honest look at situations we never see in the news. It may have too many flaws to be a good film, but for its content, it is a winner.

With touches of humor throughout, the gentle and peaceful film never becomes depressing or sad.

Watching a film about an opera can never be as moving as watching the real thing in a great opera house. Musical purists may object to certain details, and film buffs may find the concept unappealing. Yet, for this film and opera lover, Jacquot's Tosca is a treat.

Unfortunately, the film is also at times dull, though the scale definitely tilts toward enjoyment. Quality balance aside, who doesn't want to enjoy a few hearty laughs? Only Human provides a few of those.

There's something to be said about an old story given a new ending -- and making it work.

A fresh breath of air, warmer than the icy village in which it takes place. You'll leave the theater with a wink and a smile.

You may be drawn to Intimacy's graphic scenes, but you'll emerge convinced there's more to life -- and the film -- than sex.

Simple and austere, The Cuckoo also draws from the mysticism of tales of gnomes and other creatures who inhabit remote Nordic lands. It is that blend of reality with allegory that delivers the film's beauty and charm.

It is a treat to see Sharif back on the screen and Boulanger is a pleasure to watch. They make Monsieur Ibrahim better than it is.

If you like guessing games, don't miss it.

Among the invited guests are Sarah Jessica Parker and Julia Roberts. Only one fellow designer is present: Karl Lagerfeld, the German designer settled in Paris.