Mark Hanson

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Slant Magazine
For 102 reviews, this critic has graded:
  • 19% higher than the average critic
  • 6% same as the average critic
  • 75% lower than the average critic
On average, this critic grades 13.2 points lower than other critics. (0-100 point scale)

Mark Hanson's Scores

  • Movies
  • TV
Average review score: 52
Highest review score: 88 The Visitor
Lowest review score: 0 Midnight in the Switchgrass
Score distribution:
  1. Positive: 48 out of 102
  2. Mixed: 21 out of 102
  3. Negative: 33 out of 102
102 movie reviews
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    • 30 Metascore
    • 63 Mark Hanson
    There Are No Saints
    At its best, Alfonso Pineda Ulloa’s film gleefully embodies the grungy spirit of classic exploitation cinema.
    • 28 Metascore
    • 25 Mark Hanson
    Infinite
    Symptomatic of the Marvel-ization of modern action cinema, the film seems to exist mostly as an advertisement for future product.
    • 28 Metascore
    • 25 Mark Hanson
    The Strangers: Chapter 2
    Mostly notable for its distracting resemblance to Rick Rosenthal’s Halloween II, Chapter 2 suggests for a while a needlessly extended epilogue to the first film.
    • 27 Metascore
    • 25 Mark Hanson
    Dangerous
    Dangerous betrays the promise of its title by playing things extremely safe.
    • 25 Metascore
    • 50 Mark Hanson
    The Misfits
    The film is almost refreshing in its flightiness, even as it remains defiantly ignorant of the world in which it exists.
    • 24 Metascore
    • 0 Mark Hanson
    Midnight in the Switchgrass
    Randall Emmett’s directorial debut is virtually indistinguishable from the scores of cheap VOD action thrillers that he’s produced to date.
    • 20 Metascore
    • 25 Mark Hanson
    Gunslingers
    In the end, Nicolas Cage can only do so much to bring this hastily assembled oater to life.
    • 19 Metascore
    • 25 Mark Hanson
    The Strangers: Chapter 3
    It’s easy to imagine the nihilistic avenues that Renny Harlin’s trilogy capper could have gone down.
    • 14 Metascore
    • 12 Mark Hanson
    City of Dreams
    The film resembles less a realistic peek into the modern slavery of immigrants in America as it does grist for the torture porn mill.
    • 9 Metascore
    • 12 Mark Hanson
    Cosmic Sin
    Every story beat is unimaginatively cribbed from better films and every tepid exchange of dialogue is unconvincingly performed.
    • tbd Metascore
    • 63 Mark Hanson
    Survival Skills
    While mostly pulling off this tricky balancing act of humor and real-life horror, the film doesn’t quite go far enough in its critiques.
    • tbd Metascore
    • 75 Mark Hanson
    The Sleeping Negro
    Though often abstract in its imagery, the film’s blistering commentary remains firmly rooted in our present reality.
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