Marjorie Baumgarten
Select another critic »For 2,069 reviews, this critic has graded:
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37% higher than the average critic
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2% same as the average critic
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61% lower than the average critic
On average, this critic grades 6.1 points lower than other critics.
(0-100 point scale)
Marjorie Baumgarten's Scores
- Movies
- TV
| Average review score: | 60 | |
|---|---|---|
| Highest review score: | Born in Flames | |
| Lowest review score: | Superbabies: Baby Geniuses 2 | |
Score distribution:
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Positive: 1,117 out of 2069
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Mixed: 663 out of 2069
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Negative: 289 out of 2069
2069
movie
reviews
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- Marjorie Baumgarten
Overstays its welcome by at least a half hour. But, assuming that cute Camaro stays in the picture, I expect we’ll all be back for the planned round three.- Austin Chronicle
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- Marjorie Baumgarten
The rush subsides, however, the minute the movie ends, and leaves the viewer with the faint aftertaste of a processed sugar high.- Austin Chronicle
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- Marjorie Baumgarten
Indignation, however, is not really about sex, but rather, the cataclysms that can result from the most banal of choices.- Austin Chronicle
- Posted Aug 10, 2016
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- Marjorie Baumgarten
This biography, to our surprise, is extremely respectful and earnest and lacking Morris' usual transformational touch.- Austin Chronicle
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- Marjorie Baumgarten
Tsai’s drama is something like a mixture of Robert Bresson and R.W. Fassbinder, as God’s bedraggled souls struggle with the desires of the damned, and nobody wants to go into that good night alone.- Austin Chronicle
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- Marjorie Baumgarten
At its best, 32 Short Films manages to convey something of Gould’s state of mind, often using the musician’s own words.- Austin Chronicle
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- Marjorie Baumgarten
The movie is tightly wound and expertly unraveled, resulting in a thriller that you'll remember – unlike the hitman Ledda.- Austin Chronicle
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- Marjorie Baumgarten
Nolan creates an effective thriller, although he keeps his stylistic pyrotechnics to a minimum.- Austin Chronicle
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- Marjorie Baumgarten
Viewers unfamiliar with Wharton's novel may have a hard time, especially at first, deciphering all the characters since Davies presents them at a steady clip while providing little background or explanatory material.- Austin Chronicle
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- Marjorie Baumgarten
The spoof that launched a thousand parodies – this is the one that's 100% funny.- Austin Chronicle
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- Marjorie Baumgarten
This stirring historical re-creation depicts the experiences of America's first unit of black soldiers in the Civil War and the young Northerner who leads them.- Austin Chronicle
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- Marjorie Baumgarten
The entire cast is marvelous and capable of conveying continents of emotion with a furtive smile or arched brow.- Austin Chronicle
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- Marjorie Baumgarten
Part drama, part civics lesson, part entertainment, it sustains our deep curiosity despite the forgone knowledge of how things turn out.- Austin Chronicle
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- Marjorie Baumgarten
It is certainly the best button-pushing movie of the year.- Austin Chronicle
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- Marjorie Baumgarten
The saga unfolds in a fairly charming fashion, and only Allen’s abrupt ending breaks the spell. Clearly, the filmmaker has no more ideas than Jasmine about how to resolve her predicament.- Austin Chronicle
- Posted Aug 7, 2013
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- Marjorie Baumgarten
A stroll with these characters is a refreshing break from from the usual film exercises.- Austin Chronicle
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- Marjorie Baumgarten
A devastating portrait of impoverished Calucutta children.- Austin Chronicle
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- Marjorie Baumgarten
A smart, creepy, violent, funny, and modern vampire movie that benefits from some wonderful performances, a stunning visual texture, and music by Tangerine Dream.- Austin Chronicle
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- Marjorie Baumgarten
Finds a way to impart this sad history while raising our spirits at the same time.- Austin Chronicle
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- Austin Chronicle
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- Marjorie Baumgarten
Reiner abandons his previous movie's sense of farce and satire for much broader and more innocuous comedy.- Austin Chronicle
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- Marjorie Baumgarten
It's a winning formula, and when done right like it is here, it transcends the clichés and moves audiences.- Austin Chronicle
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- Marjorie Baumgarten
The film stars “It Girl” Clara Bow and a very young Gary Cooper in a WWI love triangle, but the film’s real highlight is its spectacular aerial photography.- Austin Chronicle
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- Marjorie Baumgarten
Despite this film's narrative lapses, Malick has a unique way of distilling the poetry from the commonplace -- and for that precious gift we should say amen.- Austin Chronicle
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- Marjorie Baumgarten
For the iconoclastic film director Ken Loach and his longtime screenwriting collaborator Paul Laverty, I, Daniel Blake represents their most accessible film ever.- Austin Chronicle
- Posted May 31, 2017
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- Marjorie Baumgarten
The Counterfeiters differs from most Holocaust movies in that the emphasis is on the personal moral choices that are made rather than the overall horror and despair.- Austin Chronicle
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- Marjorie Baumgarten
Gleeson is triumphant in this portrait of a complex man who is concurrently sensitive, boorish, brilliant, singular, and unforgettable.- Austin Chronicle
- Posted Aug 18, 2011
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- Marjorie Baumgarten
Appearing in almost every frame of Blue Ruin, Blair – who previously starred in "The Man From Orlando" and writer/director Jeremy Saulnier’s first feature, "Murder Party" – owns this film.- Austin Chronicle
- Posted Apr 23, 2014
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- Marjorie Baumgarten
Instead of aiming for biographical overview, this film strives to capture a sense of what makes Sakamoto’s music tick. (Hint: It’s not a metronome, but rather, the sounds of nature.)- Austin Chronicle
- Posted Aug 15, 2018
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- Marjorie Baumgarten
One of Hitchcock's very best comic thrillers, North by Northwest features scene after unforgettable scene.- Austin Chronicle
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