Marjorie Baumgarten

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For 2,069 reviews, this critic has graded:
  • 37% higher than the average critic
  • 2% same as the average critic
  • 61% lower than the average critic
On average, this critic grades 6.1 points lower than other critics. (0-100 point scale)

Marjorie Baumgarten's Scores

  • Movies
  • TV
Average review score: 60
Highest review score: 100 Born in Flames
Lowest review score: 0 Superbabies: Baby Geniuses 2
Score distribution:
2069 movie reviews
    • 35 Metascore
    • 20 Marjorie Baumgarten
    Overstays its welcome by at least a half hour. But, assuming that cute Camaro stays in the picture, I expect we’ll all be back for the planned round three.
    • 79 Metascore
    • 78 Marjorie Baumgarten
    The rush subsides, however, the minute the movie ends, and leaves the viewer with the faint aftertaste of a processed sugar high.
    • 78 Metascore
    • 67 Marjorie Baumgarten
    Indignation, however, is not really about sex, but rather, the cataclysms that can result from the most banal of choices.
    • 78 Metascore
    • 50 Marjorie Baumgarten
    This biography, to our surprise, is extremely respectful and earnest and lacking Morris' usual transformational touch.
    • 78 Metascore
    • 78 Marjorie Baumgarten
    Tsai’s drama is something like a mixture of Robert Bresson and R.W. Fassbinder, as God’s bedraggled souls struggle with the desires of the damned, and nobody wants to go into that good night alone.
    • 78 Metascore
    • 50 Marjorie Baumgarten
    At its best, 32 Short Films manages to convey something of Gould’s state of mind, often using the musician’s own words.
    • 73 Metascore
    • 78 Marjorie Baumgarten
    The movie is tightly wound and expertly unraveled, resulting in a thriller that you'll remember – unlike the hitman Ledda.
    • 78 Metascore
    • 78 Marjorie Baumgarten
    Nolan creates an effective thriller, although he keeps his stylistic pyrotechnics to a minimum.
    • 78 Metascore
    • 50 Marjorie Baumgarten
    Viewers unfamiliar with Wharton's novel may have a hard time, especially at first, deciphering all the characters since Davies presents them at a steady clip while providing little background or explanatory material.
    • 78 Metascore
    • 100 Marjorie Baumgarten
    The spoof that launched a thousand parodies – this is the one that's 100% funny.
    • 78 Metascore
    • 89 Marjorie Baumgarten
    This stirring historical re-creation depicts the experiences of America's first unit of black soldiers in the Civil War and the young Northerner who leads them.
    • 78 Metascore
    • 78 Marjorie Baumgarten
    The entire cast is marvelous and capable of conveying continents of emotion with a furtive smile or arched brow.
    • 78 Metascore
    • 78 Marjorie Baumgarten
    Part drama, part civics lesson, part entertainment, it sustains our deep curiosity despite the forgone knowledge of how things turn out.
    • 78 Metascore
    • 67 Marjorie Baumgarten
    It is certainly the best button-pushing movie of the year.
    • 78 Metascore
    • 78 Marjorie Baumgarten
    The saga unfolds in a fairly charming fashion, and only Allen’s abrupt ending breaks the spell. Clearly, the filmmaker has no more ideas than Jasmine about how to resolve her predicament.
    • 78 Metascore
    • 78 Marjorie Baumgarten
    A stroll with these characters is a refreshing break from from the usual film exercises.
    • 78 Metascore
    • 89 Marjorie Baumgarten
    A devastating portrait of impoverished Calucutta children.
    • 78 Metascore
    • 100 Marjorie Baumgarten
    A smart, creepy, violent, funny, and modern vampire movie that benefits from some wonderful performances, a stunning visual texture, and music by Tangerine Dream.
    • 78 Metascore
    • 89 Marjorie Baumgarten
    Finds a way to impart this sad history while raising our spirits at the same time.
    • 78 Metascore
    • 67 Marjorie Baumgarten
    A fascinating sight to behold.
    • 78 Metascore
    • 67 Marjorie Baumgarten
    Reiner abandons his previous movie's sense of farce and satire for much broader and more innocuous comedy.
    • 68 Metascore
    • 78 Marjorie Baumgarten
    It's a winning formula, and when done right like it is here, it transcends the clichés and moves audiences.
    • 78 Metascore
    • 78 Marjorie Baumgarten
    The film stars “It Girl” Clara Bow and a very young Gary Cooper in a WWI love triangle, but the film’s real highlight is its spectacular aerial photography.
    • 78 Metascore
    • 78 Marjorie Baumgarten
    Despite this film's narrative lapses, Malick has a unique way of distilling the poetry from the commonplace -- and for that precious gift we should say amen.
    • 78 Metascore
    • 89 Marjorie Baumgarten
    For the iconoclastic film director Ken Loach and his longtime screenwriting collaborator Paul Laverty, I, Daniel Blake represents their most accessible film ever.
    • 78 Metascore
    • 89 Marjorie Baumgarten
    The Counterfeiters differs from most Holocaust movies in that the emphasis is on the personal moral choices that are made rather than the overall horror and despair.
    • 78 Metascore
    • 78 Marjorie Baumgarten
    Gleeson is triumphant in this portrait of a complex man who is concurrently sensitive, boorish, brilliant, singular, and unforgettable.
    • 78 Metascore
    • 78 Marjorie Baumgarten
    Appearing in almost every frame of Blue Ruin, Blair – who previously starred in "The Man From Orlando" and writer/director Jeremy Saulnier’s first feature, "Murder Party" – owns this film.
    • 78 Metascore
    • 50 Marjorie Baumgarten
    Instead of aiming for biographical overview, this film strives to capture a sense of what makes Sakamoto’s music tick. (Hint: It’s not a metronome, but rather, the sounds of nature.)
    • 98 Metascore
    • 100 Marjorie Baumgarten
    One of Hitchcock's very best comic thrillers, North by Northwest features scene after unforgettable scene.

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