Marco Vito Oddo

Those willing to overcome its lack of coherence will be rewarded with a wacky story that only genre cinema can offer.

Citizen Saint treats the sensitive subject with the subtlety it deserves. While some of the answers the movie proposes might be uncomfortable, it still shines for never falling prey to oversimplifications.

Director David Jařab fails to capture the same enthralling energy of Conrad's original story, resulting in an experimental film that too often misses the mark.

If She Came at Night is so capable of going from well-timed comedy to dramatic moments, the movie has Peková to thank above anyone else.

While The Hypnosis doesn't always handle the character of Vera as well as it could, the movie is still a great piece of social satire. Above everything else, it deserves praise for standing in favor of a life that's less performative and more attentive to one's desires.

Even if Smiling Georgia could trim some minutes from its already short 62-minute runtime, the documentary is still fun and poignant enough to get us smiling in the end.

Ultimately, watching Scream of My Blood is not so different from watching Gogol Bordello live, thanks to the perfect balance of unhinged fun and political purpose.

If We Have Never Been Modern had been produced in Hollywood, Křenková would be an early candidate for an Academy Award thanks to her passionate take on Helena. Chlupáček knows that character should be at the center of a movie that’s all about the human experience, which is why the director gives Křenková plenty of space to shine. And shine she does.

The core concept of Bride versus Groomsmen could have led to an exciting action flick, yet when not even the action scenes work as they should, it’s hard to defend Til Death Do Us Part.