Maitland McDonagh

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For 2,280 reviews, this critic has graded:
  • 43% higher than the average critic
  • 4% same as the average critic
  • 53% lower than the average critic
On average, this critic grades 10.7 points lower than other critics. (0-100 point scale)

Maitland McDonagh's Scores

  • Movies
  • TV
Average review score: 55
Highest review score: 100 Devil in a Blue Dress
Lowest review score: 0 The Hottie & the Nottie
Score distribution:
2280 movie reviews
    • 78 Metascore
    • 70 Maitland McDonagh
    Utterly enthralling even for viewers unfamiliar with the Congo's complicated political history.
    • 55 Metascore
    • 70 Maitland McDonagh
    Frequently funny, generally fizzy and occasionally piercingly perceptive about the price love exacts.
    • 82 Metascore
    • 70 Maitland McDonagh
    Unlike Woo's successful but rather disappointing "Broken Arrow", this brutal, stunningly choreographed spectacle weaves together lyrical beauty, blasphemy, sadistic cruelty and grotesque sentimentality with breathtakingly smooth assurance.
    • 76 Metascore
    • 70 Maitland McDonagh
    In a story driven by questions of loyalty and allegiance, no candidate is identified by party. It's a bipartisan nightmare from which no one escapes unscathed.
    • 74 Metascore
    • 70 Maitland McDonagh
    This cheeky fable rests on the slender shoulders of Etel and McGibbon, and the lovely, natural performances Boyle elicits from them are the film's real miracle.
    • 81 Metascore
    • 70 Maitland McDonagh
    By turns enthralling, seductive and deeply disturbing.
    • 71 Metascore
    • 70 Maitland McDonagh
    This intimate, bittersweet romance is proof that a familiar story and the trappings of a done-to-death era can still seem fresh and engaging in the right hands.
    • 75 Metascore
    • 70 Maitland McDonagh
    It's both the shortest 3 1/2 hours you'll ever spend at the movies and spectacle of such magnitude that it's hard to imagine feeling you didn't get your time and money's worth.
    • 79 Metascore
    • 70 Maitland McDonagh
    Both informative and intensely moving.
    • 81 Metascore
    • 70 Maitland McDonagh
    Non-musical scenes that move the narrative forward are staged realistically, while the lavish production numbers reflect the star-struck imagination of one-time chorine Roxie, for whom all the world ought to be a stage.
    • 68 Metascore
    • 70 Maitland McDonagh
    Craig Brewer's sweaty, feel-good story about a small-time pimp and dope dealer making one last, desperate grab at his long-deferred dream is driven by longtime supporting player Terrence Howard's subtle, go-for-broke performance as Memphis mack Djay.
    • 67 Metascore
    • 70 Maitland McDonagh
    Anchored by Friel and Williams's exceptional performances, the film's power lies in its complexity. Nothing is black and white, starting with the girls' complicated relationships with their parents, which are simultaneously nurturing and fraught with psychological peril.
    • 94 Metascore
    • 70 Maitland McDonagh
    Despite its length, the film only starts feeling as long at the end -- or, more correctly, ends. Serious fans of the novels will be prepared for the serial codicils, but the uninitiated are likely to think the film is over several times before it actually is.
    • 69 Metascore
    • 70 Maitland McDonagh
    Whatever the complicated truth about PTL, Tammy Faye's homespun charisma is undeniable; if only the Lord would give her the strength to say, "Get thee behind me, false eyelashes!"
    • 90 Metascore
    • 70 Maitland McDonagh
    The result is truly a family film, not a kiddie time-waster that throws the occasional sop to adults; whether you like or love it is a function of how vividly the material reflects your own childhood fantasies.
    • 73 Metascore
    • 70 Maitland McDonagh
    Henry James's novel of social-climbing, forbidden love, friendship and betrayal, given a lush treatment that neglects neither the elaborate period trappings nor the story's intensely contemporary emotional underpinnings.
    • 79 Metascore
    • 70 Maitland McDonagh
    The main event is the Mamet-esque battle of foul words between vintage hard-case Ray Winstone and the seething sociopath played by Ben Kingsley.
    • 90 Metascore
    • 70 Maitland McDonagh
    A cool indictment of television's near-irresistible pandering to the inner peeping tom.
    • 58 Metascore
    • 70 Maitland McDonagh
    Such astringent details as a banjo player plucking a few ominous notes from "Dueling Banjos" when Ed first lays eyes on the Norman Rockwellian beauty of Spectre ensure that the story's fundamental sweetness never becomes cloying.
    • 71 Metascore
    • 70 Maitland McDonagh
    Story of small triumphs and everyday sorrows is never maudlin or sentimental.
    • 87 Metascore
    • 70 Maitland McDonagh
    Classic melodrama given a thoroughly modern, utterly Almodovarian face-lift.
    • 70 Metascore
    • 70 Maitland McDonagh
    Kusama's impressive feature debut is an affecting coming-of-age drama whose story is familiar without being hackneyed.
    • 62 Metascore
    • 70 Maitland McDonagh
    Generous, slyly tough-minded documentary.
    • 74 Metascore
    • 70 Maitland McDonagh
    It starts slowly, but this contemplative drama's cumulative effect is genuinely haunting.
    • 62 Metascore
    • 70 Maitland McDonagh
    Blanchett's quietly radiant performance anchors even the most outrageous plot developments, and she's well-supported on all sides.
    • 66 Metascore
    • 70 Maitland McDonagh
    The competition between man and machine is fogged by distrust and obfuscation. And for now, the result is a draw.
    • 82 Metascore
    • 70 Maitland McDonagh
    Hailed as a clever exercise in neo-Hitchcockianism, this clever and very satisfying picture is more accurately Chabrolian.
    • 67 Metascore
    • 70 Maitland McDonagh
    A scary, intelligent thriller that remains haunting long after it's over...features what has to be one of the creepiest first half-hours in recent film history.
    • 70 Metascore
    • 70 Maitland McDonagh
    So adorable you don't ever mind that the story's so slight it's in danger of shriveling up and blowing away, or that it drags a little in the middle.
    • 71 Metascore
    • 70 Maitland McDonagh
    A collaboration between the notoriously offbeat Coen brothers and thoroughly mainstream screenwriters Robert Ramsey and Matthew Stone, this piquant romantic comedy is both resolutely generic and bristling with barbs that go down with a delicious fizz and leave behind a refreshing blast of tartness.

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