Maggie Lovitt

So long as you aren’t expecting a masterpiece, Spy Kids: Armageddon proves itself as a fun, spy romp, where kids are king and parents are simply along for the ride. It’s childhood wish-fulfillment to the extreme, straight down to getting to live out video game fantasies and one-hit wonders.

Fackham Hall holds its own as the first of its kind — and carves out a brand-new niche in the satire landscape.

Down Low is an ambitious journey through sex work, repressed sexuality, accidental murder, the fragility of life, and an oddly tender exploration of the age-old question: can you still be a good person if you do bad things?

Book Club: The Next Chapter is a raucously funny movie that will leave audiences ready to grab their gal pals and set off on an adventure to Italy.

It’s a fun romantic romp, filled to the brim with gorgeous scenery, gorgeous clothing, and beautiful people.

At its core, it's a light-hearted spy romp that riffs on a lot of the soap-opera tropes that crossover into the realm of espionage. "Dumb fun" might get thrown around a lot with Vaughn's films, and it might be true, but Argylle does try to be smart in its execution.

Juliet & Romeo isn’t necessarily a good film, but it is a very fun film, and there are far too few films that seem content in simply entertaining for the sake of entertainment.

Meta-filled mayhem that plays on some of the corniest and most familiar Star Wars tropes is the perfect piece of cinema for long summer nights.

Booger is a bold and refreshing journey into grief and the damaging effects of holding it in when it desperately wants to claw its way out.

The Movie Teller is a beautiful and moving look into how cinema can bring a community together and how art can help to heal broken hearts.

For horror fans who prefer a more subtle and nuanced brand of horror that verges on the very outskirts of psychological horror, the lo-fi grunginess of Falling Stars will certainly appeal to them, though the outcome may leave them with more questions than answers.

It becomes apparent that the story is trying to do too much, with far too little time to do any of it well.

For a lower-budget actioner, Murder Company is absolutely worth its eighty-six-minute runtime.

If you have been eagerly looking for a mash-up of Parasite and Fresh that fundamentally misunderstands why both films resonated with audiences, by catering to the deeply ingrained xenophobia of the upper class, then Delicious is the film for you.