Maggie Lovitt

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For 46 reviews, this critic has graded:
  • 78% higher than the average critic
  • 2% same as the average critic
  • 20% lower than the average critic
On average, this critic grades 7.9 points higher than other critics. (0-100 point scale)

Maggie Lovitt's Scores

  • Movies
  • TV
Average review score: 74
Highest review score: 100 Breaking
Lowest review score: 20 Delicious
Score distribution:
  1. Positive: 35 out of 46
  2. Mixed: 9 out of 46
  3. Negative: 2 out of 46
46 movie reviews
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    • 63 Metascore
    • 60 Maggie Lovitt
    Faces of Death
    For all its visual polish and strong performances, Faces of Death remains caught between commentary and replication. It wants to critique our obsession with violence, but it can’t quite resist indulging in it, too. The result is a film that feels acutely aware of the cultural moment it inhabits, yet strangely hesitant to push beyond it.
    • 54 Metascore
    • 60 Maggie Lovitt
    Fackham Hall
    Fackham Hall holds its own as the first of its kind — and carves out a brand-new niche in the satire landscape.
    • 31 Metascore
    • 60 Maggie Lovitt
    Juliet & Romeo
    Juliet & Romeo isn’t necessarily a good film, but it is a very fun film, and there are far too few films that seem content in simply entertaining for the sake of entertainment.
    • 65 Metascore
    • 60 Maggie Lovitt
    Ex-Husbands
    Where the script falls short, Norton and Dunne pick up the slack and carry these characters through to the finish line.
    • 56 Metascore
    • 60 Maggie Lovitt
    The Last Front
    While The Last Front struggles with its stylistic choices and lack of substance, it is still an entirely watchable and almost enjoyable war drama.
    • tbd Metascore
    • 60 Maggie Lovitt
    Murder Company
    For a lower-budget actioner, Murder Company is absolutely worth its eighty-six-minute runtime.
    • 46 Metascore
    • 50 Maggie Lovitt
    Damsel
    Rather than embracing the more nuanced themes, the film shies away from deeper introspection.
    • tbd Metascore
    • 50 Maggie Lovitt
    Ashes
    It becomes apparent that the story is trying to do too much, with far too little time to do any of it well.
    • 62 Metascore
    • 58 Maggie Lovitt
    All the Old Knives
    All The Old Knives attempts to convince its audiences that it is a tawdry game of chess, but in reality, it’s a game of checkers. Pine and Newton are its saving grace, with their performances elevating it just above the waters of drowning in its own self-importance.

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