Maggie Boccella

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For 16 reviews, this critic has graded:
  • 37% higher than the average critic
  • 18% same as the average critic
  • 45% lower than the average critic
On average, this critic grades 2.9 points higher than other critics. (0-100 point scale)

Maggie Boccella's Scores

  • Movies
  • TV
Average review score: 68
Highest review score: 100 All the Beauty and the Bloodshed
Lowest review score: 20 Blackout
Score distribution:
  1. Positive: 10 out of 16
  2. Mixed: 5 out of 16
  3. Negative: 1 out of 16
16 movie reviews
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    • 39 Metascore
    • 40 Maggie Boccella
    Abraham's Boys: A Dracula Story
    The pieces are all there for a perfect summer favorite, so it’s a shame that none of them really come together to form a cohesive whole.
    • tbd Metascore
    • 60 Maggie Boccella
    The Life and Deaths of Christopher Lee
    If the filmmakers behind The Life and Deaths of Christopher Lee can’t even bother to properly honor that legacy by putting in the kind of effort he did, then you’re better off just picking up one of his many Hammer films instead.
    • 49 Metascore
    • 40 Maggie Boccella
    Apartment 7A
    The film does so little work to make me care about the girl that came before Rosemary that I simply found myself wondering how she was going to die to properly set up the events of the original.
    • 62 Metascore
    • 60 Maggie Boccella
    Abigail
    The film plays with a lot of subgenres — locked door mystery, slasher film, haunted house, alongside the obvious vampire story — that it almost seems like Radio Silence couldn’t decide what their favorite was and opted for a taster menu of everything. That works in its favor occasionally, especially since its monstrous little ballerina, surprisingly, takes up so little of its screen time.
    • 71 Metascore
    • 58 Maggie Boccella
    The Caine Mutiny Court-Martial
    It’s a shame that such a solid set of performances are brought down by an underlying thread of jingoism, one that’s hard to put too fine a point on until the film’s final scene. The final shot of the film is a punch to the throat, a distinct flourish on Friedkin’s part that I absolutely adored, but its origins leave me feeling more than slightly queasy.

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