Mae Abdulbaki

There's a lot to like in this engaging and unnerving drama, but the finale doesn’t come together to deliver on an intriguing and chilling first half.

As hypnotic as Eileen is, the film ultimately falls short. Its final moments suggest that it could have become a completely different film than what was initially presented. Had there been enough time to flesh out the story and build up the tension, the final Rebecca twist would have worked a lot better.

Hurry Up Tomorrow isn’t awful. It stays at the surface, really afraid to interrogate any deeper than required, but it has its moments and aesthetic flair.

Despite a solid performance from the film’s lead and an interesting character arc, Rounding winds up getting a bit lost in all it’s trying to accomplish.

When its focus is on Agatha Rousselle’s Alexia and the lack of control she has over her own body, Titane digs a bit deeper. However, the film’s true weakness is in its inability to explore Alexia as a person, keeping things vague while centering the extreme body horror aspects.

Compared to other, stronger animated films, Spellbound sits comfortably in the middle. Kids will likely be delighted with it — though at nearly two hours long the wait to get to the end might be a struggle — and it offers just enough for them to keep watching.

Despite some genuinely funny and endearingly nostalgic moments, Coming 2 America attempts to do way too much with its plot rather than keep it simple.