Lovia Gyarkye
Select another critic »For 344 reviews, this critic has graded:
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47% higher than the average critic
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6% same as the average critic
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47% lower than the average critic
On average, this critic grades 1.9 points higher than other critics.
(0-100 point scale)
Lovia Gyarkye's Scores
- Movies
- TV
| Average review score: | 68 | |
|---|---|---|
| Highest review score: | Seeds | |
| Lowest review score: | Madame Web | |
Score distribution:
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Positive: 211 out of 344
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Mixed: 126 out of 344
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Negative: 7 out of 344
344
movie
reviews
- By Date
- By Critic Score
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- Lovia Gyarkye
Shine Your Eyes, from the Brazilian filmmaker Matias Mariani, finds a distinctive way to tell a familiar narrative — of immigrants in megacities, of how dreams can pummel you and of the complexity of fraternal bonds.- The New York Times
- Posted Jul 30, 2020
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- Lovia Gyarkye
Even for those familiar with Ai and his work, the film’s offerings of fascinating insights into his personal life and an exploration of the stakes of personal freedom make it a worthy viewing experience.- The New York Times
- Posted Jul 8, 2020
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- Lovia Gyarkye
The film does an excellent job of introducing the pop star to unfamiliar audiences, contextualizing her activism and, more broadly, examining the role art can play in shaping our beliefs.- The New York Times
- Posted Jul 2, 2020
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- Lovia Gyarkye
The film feels at times like it is trying to take on too much — plotlines are rushed, relationships feel unearned or not explained. Still, I can’t help but be impressed by Amoo’s attempts to direct a familiar narrative with such a complicated set of questions.- The New York Times
- Posted Jun 25, 2020
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- Lovia Gyarkye
Instead of just depicting the myriad ways black women carry their communities, the movie goes further to explore how these women and black girls support each other in a world that often fails them.- The New York Times
- Posted Jun 18, 2020
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- Lovia Gyarkye
Its success comes from interrogating the cultural assumption that there is no space for a range of sexual orientations and gender identities within religious communities.- The New York Times
- Posted Jun 11, 2020
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- Lovia Gyarkye
It hits all the notes of a megastar choosing to share her life with the public: selective biographical moments and star-studded guest appearances, plus a healthy dose of motivational messaging about the virtues of education and the holistic ownership of personal narratives.- The New York Times
- Posted May 6, 2020
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- Lovia Gyarkye
Choice, for many, is an illusion. This message repeats itself throughout the film, and while at times it feels clumsy, it is never tedious. Sanders especially shines among a formidable cast, and in his portrayal, excellently reflects on the herculean task his character faces.- The New York Times
- Posted May 1, 2020
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- Lovia Gyarkye
While the characters interact against the backdrop of varying degrees of racism and socioeconomic stressors, they are not defined by them. In other words, they are ordinary but no less noteworthy.- The New York Times
- Posted Mar 28, 2020
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- The New York Times
- Posted Jan 16, 2020
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- Lovia Gyarkye
Sankofa’s marvels range from Gerima’s meticulous editing style and electrifying use of music to his liberating nonlinear storytelling techniques. But I find myself most consistently drawn to the film’s fluid embrace of language, what it reveals about rebellion and how it deepens our understanding of Gerima’s characters.- The Hollywood Reporter
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- Lovia Gyarkye
This shaky apocalyptic film doesn’t land at times, but its gripping final act, a handful of standout performances and attempts at commentary about class and climate change will probably keep most audiences engaged.- The Hollywood Reporter
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