For 2,489 reviews, this critic has graded:
  • 46% higher than the average critic
  • 2% same as the average critic
  • 52% lower than the average critic
On average, this critic grades 9.4 points lower than other critics. (0-100 point scale)

Lou Lumenick's Scores

  • Movies
  • TV
Average review score: 56
Highest review score: 100 The Band Wagon
Lowest review score: 0 Dirty Cop No Donut
Score distribution:
2489 movie reviews
    • 75 Metascore
    • 63 Lou Lumenick
    A major disappointment, The Cider House Rules pales by comparison with the gutsier, more full-bodied adaptation of Irving's "The World According to Garp."
    • New York Post
    • 75 Metascore
    • 63 Lou Lumenick
    Worth seeing for McTeer's touching, funny and richly detailed performance, which should put her on the map in Hollywood.
    • 75 Metascore
    • 75 Lou Lumenick
    Leconte turns up the erotic heat in the most gorgeously photographed black-and-white film since Wim Wenders' sublime "Wings of Desire."
    • New York Post
    • 75 Metascore
    • 0 Lou Lumenick
    Dr. Godard drops and quotes more names than you’d find in a week’s worth of Page Six, but lots of luck figuring any of this out before dozing off. The good thing about Goodbye to Language is that you’ll wake up with no side effects, albeit your wallet will be $12 lighter.
    • 75 Metascore
    • 88 Lou Lumenick
    Jack Black gives the performance of his career in the title role of Bernie, under the pitch-perfect direction of his "School of Rock'' director, Richard Linklater, who expertly crafts a black comedy with a deceptively sunny surface. It's the best movie I've seen all spring.
    • 75 Metascore
    • 38 Lou Lumenick
    By the time two hours had dragged by, I felt a lot like I had sat through a five-hour wedding.
    • 75 Metascore
    • 50 Lou Lumenick
    Perhaps this year’s timeliest film — as well as, unfortunately, one of the hardest to sit through.
    • 85 Metascore
    • 88 Lou Lumenick
    Director Paul Greengrass - who directed the superb "United 93" between the second and third "Bourne" installments - knows how to stage and edit bravura action sequences, generating almost unbearable suspense while deploying a superb cast.
    • 75 Metascore
    • 88 Lou Lumenick
    So gorgeously animated and so thoroughly entertaining for all ages that only an ogre would complain it's not quite as fresh as the original.
    • 75 Metascore
    • 88 Lou Lumenick
    Playing a slightly autobiographical role — reinforced by a karaoke sequence that gently nods to “Duets,” the final film directed by Danner’s late real-life husband, Bruce Paltrow, and starring their daughter Gwyneth — Danner shines in scene after scene.
    • 75 Metascore
    • 88 Lou Lumenick
    Drawing inspiration from anime and vintage Looney Toons, this beautifully drafted, offbeat charmer is hip, funny - and a bona fide heart tugger for the whole family.
    • 75 Metascore
    • 75 Lou Lumenick
    I walked out of Steven Soderbergh’s Side Effects thinking to myself, “Finally, a mainstream 2013 movie I can whole-heartedly recommend’’ — then quickly added, “well, except that it will probably piss off a sizeable portion of the target audience.’’
    • 75 Metascore
    • 75 Lou Lumenick
    There are a lot of grace notes in That Evening Sun, including Barry Corbin's hilarious work as Abner's neighbor, a vivid sense of landscape and a visually arresting climax.
    • 75 Metascore
    • 100 Lou Lumenick
    A gorgeous, poetic and stirring epic.
    • 83 Metascore
    • 88 Lou Lumenick
    Even with his clothes on, this is Mortensen's best and richest performance, worthy of serious awards consideration. He lends a moral complexity to Eastern Promises that makes it much more than just a very accomplished action thriller.
    • 75 Metascore
    • 75 Lou Lumenick
    An unforgettable portrait of a testosterone-driven era.
    • 75 Metascore
    • 75 Lou Lumenick
    Thanks to Scott's charismatic Roger and Eisenberg's sweet nephew, Roger Dodger is one of the most compelling variations on "In the Company of Men."
    • 75 Metascore
    • 88 Lou Lumenick
    Easily one of the year's best movies.
    • 75 Metascore
    • 75 Lou Lumenick
    Mostly a well-acted, expertly directed comedy with characters and situations of truly universal appeal.
    • 75 Metascore
    • 75 Lou Lumenick
    The Edgertons pile on the plot twists a bit thick, but the director steadily ratchets up the tension until a climactic shootout.
    • 75 Metascore
    • 75 Lou Lumenick
    You won't find a movie that's more fun this season -- but at 2-1/2 hours, it's probably too much of a good thing.
    • 75 Metascore
    • 88 Lou Lumenick
    Bryan Singer’s whip-smart and witty time-travel romp X-Men: Days of Future Past blows a breath of fresh air through the musty Marvel universe.
    • 75 Metascore
    • 50 Lou Lumenick
    At best, mildly entertaining.
    • 75 Metascore
    • 75 Lou Lumenick
    The most exhilarating film about indie moviemaking on a shoestring since "Ed Wood," even if its subject -- the director's dad, ultra-macho filmmaking pioneer Melvin Van Peebles -- couldn't be more different than the notoriously inept Wood.
    • 75 Metascore
    • 50 Lou Lumenick
    Treads an awfully thin line between the provocative and the exploitative.
    • 75 Metascore
    • 75 Lou Lumenick
    An insightful time capsule.
    • 75 Metascore
    • 75 Lou Lumenick
    While This Film Is Not Yet Rated does not suggest an alternative to the ratings board, it does expose this Tinseltown sham to some well-deserved public ridicule.
    • 46 Metascore
    • 50 Lou Lumenick
    No surprises here, though the stars make it surprisingly watchable.
    • 75 Metascore
    • 75 Lou Lumenick
    Basically, this tale of a pregnant waitress looking for a way out of an unhappy marriage is a funny and touching riff on Martin Scorsese's "Alice Doesn't Live Here Anymore," not to mention its better-known sitcom spinoff, "Alice."
    • 74 Metascore
    • 88 Lou Lumenick
    A funny, hip, touching and utterly irresistible comedy-drama.

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