Lorry Kikta

Some people, including a couple of people I watched the film with, may see The House That Jack Built as pretentious nonsense. Others will see it as the glorification of violence. I see it for what it was intended to be, a work of complicated, violent, hilarious art.

This film is definitely the Mads Mikkelsen show, and it is one of his most powerful, emotive performances to date.

It’s a very exciting, sad, yet extremely funny film.

The most critical element of Winter’s documentary is not the scandal itself, but the fact that hundreds of journalists from around the world were able to work together to expose this corruption, despite the consequences, and their egos.

Ghostbox Cowboy is a wonderful mishmash of mockumentary that lends comparisons to Ulrich Seidl’s work or Harmony Korine’s earlier films such as Julien Donkey Boy and Gummo, with the weirdness of Terry Gilliam and the idiosyncratic brutality of Werner Herzog, while also being a completely unique animal apart from these influences.

While nothing horrifying happens within the first half hour, what comes after is enough to give you some anxiety for at least the rest of the day after watching it.

The Marriage shows us this problematic side of love with no judgment, which is incredibly refreshing.

It’s a beautiful visual and spiritual journey through the glorious highs and devastating lows of a brilliant artist who was ahead of his time.

I found the entire emotional journey on which Weightless takes viewers to be rewarding as well as heartbreaking.

The Clovehitch Killer is one of the best horror films to come out this year. It’s intelligent and subversive, and it captures the banality of small-town life perfectly.

Please see this film, if only to hear victims speak truth to power.

Go see this movie. Take your pre-teen who’s going through an awkward phase to see it (if you let them watch stuff with bad language and underage drinking, I should say). Or if you were a kid who came of age in the actual mid 90’s, this will give you an aching nostalgia for your youth.

One definitely has to have an appreciation of the absurd to enjoy Diamantino.

It’s yet another piece of Coen Brothers’ gold that just makes me curious about what kind of magic they’re going to make next.

It’s a parody, a biopic, a comedy, a tragedy, an experimental film, and God knows what else. It may sound crazy to say, but The Other Side of The Wind is quite possibly Orson Welles’ most ambitious picture and that might explain why it remained unfinished for so long.

Non-Fiction is incredibly witty, fast-paced, and unmistakably French.

The cast in this film is incredible.