Lorry Kikta

Some moments are a bit corny, such as subliminal messages coming from a tape played backward. However, I find the spin that writer/director Daniel Farrands puts on one of the most gruesome murders in history, will make all who see The Haunting of Sharon Tate examine the Tate murders, and maybe our own lives differently.

Victor Goodview is definitely goofy. There’s terrible ADR, a lot of weird time spent in bathrooms, too much man-butt, but it’s still got a heart of gold underneath. Which makes it fit into the Troma canon quite nicely, if you ask me.

Insofar as low-budget horror goes, The Edge of Isolation is successful at exploring its subject matter without becoming to cheesy or hackneyed. The acting and writing are good, as well as the score and cinematography. I think Houkal, who is also a prolific actor, has a good career ahead of him as a filmmaker.

While nothing horrifying happens within the first half hour, what comes after is enough to give you some anxiety for at least the rest of the day after watching it.

Something is an incredibly solid debut feature.

Overall, Nothing Stays The Same: The Story of The Saxon Pub is a feel good movie. The ending is happy and it’s wonderful because all of these people deserve a place to showcase their art. Music is very important. Community is as well.

Into the Mirror is, as the kids say, a “#mood” but in all honesty, that is a great way to describe the film. It’s based on feelings and the subconscious seen through Daniel’s eyes, rather than being objective.

Tabernacle 101 is undeniably entertaining in a trash-tv sort of way.

Overall I would say that Travis Scott: Look Mom I Can Fly is an incredibly wholesome, feel-good film that shows us that hard work and determination really can bring you grand success in some cases.

If you want to know more about cult cinema, Time Warp: The Greatest Cult Films of All Time is a great place to start.

You should absolutely see Time Warp: The Greatest Cult Films of All-Time – Vol. 2: Horror and Sci-Fi. It’s about an hour and a half long, and I’ve seen it twice and could watch it again.

It feels like a lost gospel. It really is a magical film like nothing else.

Haymaker has a little something for everyone, and it’s totally worth the watch. I’m excited to see what Nick Sasso does next.

Agony resounds with gothic horror vibes and feels like it belongs to the past.

It makes me curious about what Noel David Taylor is going to do next. This weirdo indictment of Hollywood is just that interesting.

The film is quite funny and very well written by writer/director Morgan Ignari.

If you want to see a movie that explores grief and death with a very unique and interesting twist, watch An Unquiet Grave. I doubt you’ll regret it.