Lorry Kikta

Regardless of how someone might feel about what she’s done, XY Chelsea will definitely give you some insight into why she did it and maybe will help inform a better understanding of what’s going on behind the scenes in these long, awful wars that America keeps getting into.

Driveways is short but effective. It’s more about mood than the overall plot.

The reason that Once Upon A Time In Venezuela is so effective is that it explores a microcosm of the events.

I found the entire emotional journey on which Weightless takes viewers to be rewarding as well as heartbreaking.

If you have a strong distaste for ICE as I do, you will love the way these kids get one over on them in The Infiltrators.

Overall, I would recommend seeing this film if you are a fan of Mapplethorpe’s work, the New York art world, or of Matt Smith. He gives a bravura performance which outshines everything and everyone on screen.

Official Secrets is an incredibly smart film that celebrates the whistleblowers of the world. It also shows the occasional futility in these efforts as well. It illustrates the all-powerful machine that is government and how that machine can destroy whoever it wants pretty damn easily.

It’s like a video game, but with Chris Hemsworth doing all the killing and maiming. Again, the stunts and special effects are fantastic, and as far as action movies go, there are far worse options out there.

This film is very much of our current era, but you can even be *gasp* over 30 and enjoy CRSHD, even if it is a little reminiscent of a lot of the college movies that came before it.

Hampstead is a perfectly good romantic dramedy.

It’s definitely a well-crafted genre offering. The writing could be better, with more of an emphasis on the relationships than on the plot mechanisms, but the ending is cool. The cast is also very good, but again, if the script were just a tad bit better, the film would get a better rating from me.

Ask Dr. Ruth is a lovely tribute to the renowned sex therapist, but it’s not blazing any trails of its own as its subject matter has. As a documentary, it’s pretty formulaic.

Victor Goodview is definitely goofy. There’s terrible ADR, a lot of weird time spent in bathrooms, too much man-butt, but it’s still got a heart of gold underneath. Which makes it fit into the Troma canon quite nicely, if you ask me.

It’s perfectly entertaining, it’s just not going to win any Oscars, but it doesn’t need to, it’s a summer movie for fans of the comic and adults who still feel like kids. If that’s you, go see it!

Tabernacle 101 is undeniably entertaining in a trash-tv sort of way.

Liberté is shocking, but it is staged as banally as possible.

Unfortunately, I have to admit that the tenor of the movie is almost unbearably cheesy and sometimes verges on infomercial territory.