Lisa Alspector

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For 550 reviews, this critic has graded:
  • 44% higher than the average critic
  • 2% same as the average critic
  • 54% lower than the average critic
On average, this critic grades 13.3 points lower than other critics. (0-100 point scale)

Lisa Alspector's Scores

  • Movies
  • TV
Average review score: 52
Highest review score: 100 Tarzan
Lowest review score: 0 Bless the Child
Score distribution:
550 movie reviews
    • 75 Metascore
    • 80 Lisa Alspector
    This wonderful 1997 comedy--about an unlikely group of men who are determined to strip to music rather than get day jobs--is genuinely effective at inverting gender stereotypes and other assumptions, and it's not the slightest bit heavy-handed.
    • 75 Metascore
    • 40 Lisa Alspector
    Told from too many perspectives, the narrative puts suspense above substance, and its social consciousness seems contrived.
    • 52 Metascore
    • 50 Lisa Alspector
    Has an adolescent energy and a tempered sexuality.
    • 75 Metascore
    • 50 Lisa Alspector
    The force of the social criticism is diminished by contrivance and the inclusion of peripheral material.
    • 75 Metascore
    • 70 Lisa Alspector
    Despite a melodramatic score that at times seems almost facetious, the movie's tone is sober and sincere, its unlikely ending persuasive.
    • 74 Metascore
    • 80 Lisa Alspector
    Though passionate, doesn't pity or flatter the rank and file.
    • 74 Metascore
    • 60 Lisa Alspector
    The payoff matters at least as much as the setup, and this story's secret is way too easy to guess.
    • 57 Metascore
    • 50 Lisa Alspector
    This concept comedy-drama would be even better if the intercutting among households had been timed to add dramatic content rather than simply advance the subplots.
    • 74 Metascore
    • 50 Lisa Alspector
    Arch yet earnest.
    • 60 Metascore
    • 50 Lisa Alspector
    Insights about romance are enhanced by the novel production design, which includes puppetry, but the story's reflexivity is smug and cloying.
    • 74 Metascore
    • 60 Lisa Alspector
    A realist mode that strains credibility; it's tenuous and inflexible -- and easily ruptured by the contrived irony in Jimmy McGovern's screenplay.
    • 49 Metascore
    • 20 Lisa Alspector
    Grossly unimaginative.
    • 74 Metascore
    • 70 Lisa Alspector
    The narrative--a complex structure of flashbacks and shifts in perspective that's part inspirational story, part courtroom drama, part character study, part exposé--never makes it seem that history is being oversimplified.
    • 74 Metascore
    • 80 Lisa Alspector
    A delicate balance of fantasy and realism, caricature and character study that isn't driven primarily by its plot or even the development of its protagonist.
    • 74 Metascore
    • 90 Lisa Alspector
    It's scary and hilarious, with a magical, nonrealist tone, and it emphasizes physical comedy as much as disturbing, beautifully integrated metaphors.
    • 73 Metascore
    • 60 Lisa Alspector
    Inspired, self-referential animated musical.
    • 73 Metascore
    • 70 Lisa Alspector
    Shtick isn't all this movie has to offer.
    • 73 Metascore
    • 80 Lisa Alspector
    Jensen's use of the conventions of documentary making -- and his undermining of them in ways both bold and subtle -- seems too canny and consistent for the form. Yet the harder I try to decide whether this is a documentary or a parody, the more I wonder why it matters.
    • 73 Metascore
    • 70 Lisa Alspector
    Powerful, funny romantic drama.
    • 73 Metascore
    • 80 Lisa Alspector
    Maya Angelou?s very deliberate blocking of the actors charges each movement and line of dialogue with emotion, and the expressive combinations of colors and textures in the settings convey a palpable sense of the environments in which the characters undergo big but believable changes.
    • 64 Metascore
    • 70 Lisa Alspector
    Deftly realist character study.
    • 73 Metascore
    • 70 Lisa Alspector
    Much of this fractured drama and dark fantasy takes place inside the mind of Charlie (Futterman),
    • 73 Metascore
    • 70 Lisa Alspector
    Scenes that should have been uproarious are weaker than many of the movie's smaller moments.
    • 73 Metascore
    • 70 Lisa Alspector
    Realist fairy tale.
    • 73 Metascore
    • 80 Lisa Alspector
    All the macho men who let down their guard for Blaustein can be proud of the loving deconstruction of violence-as-entertainment that resulted.
    • 73 Metascore
    • 70 Lisa Alspector
    The wavering style and tone fragment the movie, undermining both characters' development, though each retains her power as a symbol.
    • 61 Metascore
    • 80 Lisa Alspector
    Rodriguez's unironic directing brings out the complexity of characters painfully aware of the stereotypes they represent and allows this gripping, scary, and romantic movie to offer more than factoids about other movies the filmmakers have seen too many times.
    • 71 Metascore
    • 70 Lisa Alspector
    With its persuasive special effects, gentle pace, and more expressionistic than surreal production design, this serious yet far from ponderous drama is something of a marvel.
    • 73 Metascore
    • 70 Lisa Alspector
    The lush, emotional scenes are enhanced by the sound track.
    • 71 Metascore
    • 90 Lisa Alspector
    Writer-director Wong Kar-wai makes these five self-consciously idiosyncratic types--often seen through distorting lenses in cinematographer Christopher Doyle's somber, garish Hong Kong--fully and instantly believable.

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