Lisa Alspector
Select another critic »For 550 reviews, this critic has graded:
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44% higher than the average critic
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2% same as the average critic
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54% lower than the average critic
On average, this critic grades 13.3 points lower than other critics.
(0-100 point scale)
Lisa Alspector's Scores
- Movies
- TV
| Average review score: | 52 | |
|---|---|---|
| Highest review score: | Tarzan | |
| Lowest review score: | Bless the Child | |
Score distribution:
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Positive: 178 out of 550
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Mixed: 239 out of 550
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Negative: 133 out of 550
550
movie
reviews
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- Lisa Alspector
This wonderful 1997 comedy--about an unlikely group of men who are determined to strip to music rather than get day jobs--is genuinely effective at inverting gender stereotypes and other assumptions, and it's not the slightest bit heavy-handed.- Chicago Reader
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- Lisa Alspector
Told from too many perspectives, the narrative puts suspense above substance, and its social consciousness seems contrived.- Chicago Reader
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- Chicago Reader
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- Lisa Alspector
The force of the social criticism is diminished by contrivance and the inclusion of peripheral material.- Chicago Reader
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- Lisa Alspector
Despite a melodramatic score that at times seems almost facetious, the movie's tone is sober and sincere, its unlikely ending persuasive.- Chicago Reader
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- Chicago Reader
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- Lisa Alspector
The payoff matters at least as much as the setup, and this story's secret is way too easy to guess.- Chicago Reader
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- Lisa Alspector
This concept comedy-drama would be even better if the intercutting among households had been timed to add dramatic content rather than simply advance the subplots.- Chicago Reader
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- Chicago Reader
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- Lisa Alspector
Insights about romance are enhanced by the novel production design, which includes puppetry, but the story's reflexivity is smug and cloying.- Chicago Reader
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- Lisa Alspector
A realist mode that strains credibility; it's tenuous and inflexible -- and easily ruptured by the contrived irony in Jimmy McGovern's screenplay.- Chicago Reader
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- Chicago Reader
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- Lisa Alspector
The narrative--a complex structure of flashbacks and shifts in perspective that's part inspirational story, part courtroom drama, part character study, part exposé--never makes it seem that history is being oversimplified.- Chicago Reader
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- Lisa Alspector
A delicate balance of fantasy and realism, caricature and character study that isn't driven primarily by its plot or even the development of its protagonist.- Chicago Reader
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- Lisa Alspector
It's scary and hilarious, with a magical, nonrealist tone, and it emphasizes physical comedy as much as disturbing, beautifully integrated metaphors.- Chicago Reader
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- Chicago Reader
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- Chicago Reader
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- Lisa Alspector
Jensen's use of the conventions of documentary making -- and his undermining of them in ways both bold and subtle -- seems too canny and consistent for the form. Yet the harder I try to decide whether this is a documentary or a parody, the more I wonder why it matters.- Chicago Reader
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- Chicago Reader
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- Lisa Alspector
Maya Angelou?s very deliberate blocking of the actors charges each movement and line of dialogue with emotion, and the expressive combinations of colors and textures in the settings convey a palpable sense of the environments in which the characters undergo big but believable changes.- Chicago Reader
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- Chicago Reader
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- Lisa Alspector
Much of this fractured drama and dark fantasy takes place inside the mind of Charlie (Futterman),- Chicago Reader
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- Lisa Alspector
Scenes that should have been uproarious are weaker than many of the movie's smaller moments.- Chicago Reader
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- Chicago Reader
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- Lisa Alspector
All the macho men who let down their guard for Blaustein can be proud of the loving deconstruction of violence-as-entertainment that resulted.- Chicago Reader
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- Lisa Alspector
The wavering style and tone fragment the movie, undermining both characters' development, though each retains her power as a symbol.- Chicago Reader
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- Lisa Alspector
Rodriguez's unironic directing brings out the complexity of characters painfully aware of the stereotypes they represent and allows this gripping, scary, and romantic movie to offer more than factoids about other movies the filmmakers have seen too many times.- Chicago Reader
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- Lisa Alspector
With its persuasive special effects, gentle pace, and more expressionistic than surreal production design, this serious yet far from ponderous drama is something of a marvel.- Chicago Reader
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- Chicago Reader
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- Lisa Alspector
Writer-director Wong Kar-wai makes these five self-consciously idiosyncratic types--often seen through distorting lenses in cinematographer Christopher Doyle's somber, garish Hong Kong--fully and instantly believable.- Chicago Reader
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