Lillian Crawford

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Empire, Little White Lies
For 35 reviews, this critic has graded:
  • 45% higher than the average critic
  • 2% same as the average critic
  • 53% lower than the average critic
On average, this critic grades 3.5 points higher than other critics. (0-100 point scale)

Lillian Crawford's Scores

  • Movies
  • TV
Average review score: 69
Highest review score: 100 Bergman Island
Lowest review score: 20 Greatest Days
Score distribution:
  1. Positive: 23 out of 35
  2. Mixed: 10 out of 35
  3. Negative: 2 out of 35
35 movie reviews
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    • 63 Metascore
    • 80 Lillian Crawford
    The Devil Wears Prada 2
    Make no mistake – The Devil Wears Prada 2 scratches every itch a legacy sequel ought, with callbacks and cameos and jokes galore. But if the first film is Tom Ford and Calvin Klein then this time it’s Vivienne Westwood and Alexander McQueen – less slick, and with something darker underneath.
    • 77 Metascore
    • 90 Lillian Crawford
    Maestro
    Maestro is a film to be swept along by, as heady and bombastic as a golden-age Hollywood musical.
    • 82 Metascore
    • 80 Lillian Crawford
    The Holdovers
    The trio’s company is so embracing that it is hard to say goodbye. The benefit of the Yuletide setting is that Payne has gifted us a film intended to be watched every year. It feels like finding an unwatched classic under the tree on Christmas morning.
    • 45 Metascore
    • 70 Lillian Crawford
    Doctor Jekyll
    It looks like Hammer has returned from the dead.
    • 82 Metascore
    • 100 Lillian Crawford
    Taylor Swift: The Eras Tour
    It is profoundly moving to see someone be so open with her audience, the meaning of her lyrics taking on new resonance since first writing them. And we were there, we remember it all.
    • 79 Metascore
    • 80 Lillian Crawford
    The Three Musketeers - Part I: D'Artagnan
    Dumas’s classic novel finally gets an epic adaptation worthy of its scope, rendered in delicious French by its dangerously sexy cast. Gird your buckles because they’re about to get swashed.
    • 71 Metascore
    • 70 Lillian Crawford
    The Wonder
    It’s a refreshing return to naturalistic form for Pugh following her recent blockbuster run, relishing in the multi-layered gowns designed by Odile Dicks-Mireaux. But The Wonder is most captivating in its look.
    • 80 Metascore
    • 100 Lillian Crawford
    Bergman Island
    Rather than an attempt at directorial mimicry, Bergman Island is a unique vision from one of the greatest directors working today.
    • 78 Metascore
    • 70 Lillian Crawford
    We're All Going to the World's Fair
    Cobb is excellent at toeing the lines between calm and unhinged, often fluctuating between them and never really settling on either.
    • 89 Metascore
    • 80 Lillian Crawford
    Great Freedom
    While other men move through then out of the picture, Rogowski holds everything together with an exquisite deftness that is often emotionally overwhelming.
    • 78 Metascore
    • 80 Lillian Crawford
    Ryuichi Sakamoto: Coda
    By exploring his passions and drives, Schible has given meaning beyond the surface to Sakamoto’s music. It makes for fascinating viewing, and even more beautiful listening.
    • 91 Metascore
    • 100 Lillian Crawford
    EX LIBRIS: The New York Public Library
    It is undeniably a magnum opus, but one that has been refined to the briskness of a novella.
    • 81 Metascore
    • 70 Lillian Crawford
    Summer 1993
    Nothing much happens in Summer 1993, and yet everything changes.
    • 75 Metascore
    • 70 Lillian Crawford
    Under The Wire
    Moments of real desperation in human faces reveal why journalists risk death to report in Syria and beyond, providing a timely reflection on the power of documentary footage. A pity, then, that Martin does not leave their story to stand for itself.
    • 75 Metascore
    • 80 Lillian Crawford
    The Kindergarten Teacher
    Perhaps we are never driven to indignation at Lisa’s actions because the film exudes a refreshing state of calm, boasting a visual style that is awash with turquoise hues.
    • 65 Metascore
    • 80 Lillian Crawford
    Pinocchio
    While its success outside Italy remains to be seen, del Toro and Zemeckis will have to pull a lot of strings to better Garrone.
    • 69 Metascore
    • 80 Lillian Crawford
    Papicha
    It’s the greatest asset of Papicha that it condemns without being dogmatic, showing its central conflict to be more complicated than Western audiences might otherwise believe.
    • 79 Metascore
    • 90 Lillian Crawford
    An Easy Girl
    An Easy Girl reads not as the male sexual frustration of the Nouvelle Vague, but as a celebration of women’s sexual agency.
    • 81 Metascore
    • 90 Lillian Crawford
    She Dies Tomorrow
    It’s not a journey for the faint of heart.
    • 80 Metascore
    • 80 Lillian Crawford
    Little Girl
    Sasha’s parents are inspiring in their determination to give their daughter the childhood every girl her age deserves.
    • 46 Metascore
    • 80 Lillian Crawford
    Earwig and the Witch
    Doing his part to keep his father’s work alive and relevant, Gorō Miyazaki steers the Ghibli ship even further away than Yonebayashi dared, resulting in the studio’s most cheerily radical film to date.
    • 63 Metascore
    • 100 Lillian Crawford
    The Matrix Resurrections
    Reeves and Moss are magnificent at resurrecting Neo and Trinity, and they blend exquisitely into Lana Wachowski’s matured style of filmmaking.
    • tbd Metascore
    • 70 Lillian Crawford
    Quant
    Frost takes a fairly conventional documentary approach, but it serves as a comprehensive introduction to a master of her craft.

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