For 62 reviews, this critic has graded:
  • 45% higher than the average critic
  • 3% same as the average critic
  • 52% lower than the average critic
On average, this critic grades 2.3 points lower than other critics. (0-100 point scale)

Leigh Monson's Scores

  • Movies
  • TV
Average review score: 63
Highest review score: 100 Poor Things
Lowest review score: 16 AfrAId
Score distribution:
  1. Positive: 37 out of 62
  2. Negative: 7 out of 62
62 movie reviews
    • 28 Metascore
    • 16 Leigh Monson
    For all that its baffling narrative may be explained by deleted scenes, there is no excuse for how tediously non-threatening AfrAId is as a horror movie. Almost entirely bloodless and with half a handful of kills, there just isn’t enough visceral terror to make up for the disparate, thematically muddied nonsense that’s been cobbled together into the shape of a movie.
    • 36 Metascore
    • 33 Leigh Monson
    My Spy The Eternal City is so unconcerned with its obligations as an action-comedy that it fails to either thrill or amuse, making it a chore to actively pay attention to.
    • 52 Metascore
    • 33 Leigh Monson
    Good Enough is a few bland chuckles uttered in a vacuous 90 minutes you struggle to remember even as the credits start to roll. Good Enough is a black hole, of which Despicable Me 4 is the singularity.
    • 39 Metascore
    • 25 Leigh Monson
    An exorcism movie may not need to be compelled by the power of Christ, but something about it still needs to be compelling, and slapping the name The Exorcist on a screenplay that reads like a brainstorming session is just not enough.
    • 38 Metascore
    • 25 Leigh Monson
    The most frustrating thing about Prey For The Devil is that there seems to be a good movie somewhere in this patchwork of themes and pastiches.
    • 46 Metascore
    • 33 Leigh Monson
    Jákl’s film is precisely as generic as its title would suggest, and what little there is to recommend is buried under a mountain of tedium
    • 41 Metascore
    • 25 Leigh Monson
    Easter Sunday, for all its faults, is still nominally watchable, but it’s a wasteland of unfocused potential.

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