Leah Greenblatt

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Entertainment Weekly
For 697 reviews, this critic has graded:
  • 81% higher than the average critic
  • 2% same as the average critic
  • 17% lower than the average critic
On average, this critic grades 9.5 points higher than other critics. (0-100 point scale)

Leah Greenblatt's Scores

  • Movies
  • TV
Average review score: 75
Highest review score: 100 TÁR
Lowest review score: 33 Blonde
Score distribution:
  1. Positive: 595 out of 697
  2. Mixed: 99 out of 697
  3. Negative: 3 out of 697
697 movie reviews
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    • 72 Metascore
    • 83 Leah Greenblatt
    Promising Young Woman
    As satire, Woman‘s first two acts are fun but broad: a winky, wildly stylized slice of girl-powered revenge porn. And Mulligan, who’s always given smart, delicately shaded performances in movies like Far from the Madding Crowd and An Education (she was great in 2018’s underseen Wildlife) is an entirely different animal here: furious, damaged, ferociously funny.
    • 76 Metascore
    • 83 Leah Greenblatt
    Nothing Compares
    As an intimate, often infuriating portrait of an artist and era, it's hard to argue with the raw power of the story on screen — and the timeliness of it too, no matter how long overdue.
    • 66 Metascore
    • 83 Leah Greenblatt
    Puzzle
    Director Marc Turtletaub pulls thoughtful, carefully shaded performances from Denman, Khan, and, most of all, Scottish actress Macdonald (Boardwalk Empire, No Country for Old Men), who refuses to let Agnes be an easy avatar for midlife longing and suburban discontent.
    • 70 Metascore
    • 83 Leah Greenblatt
    The Little Prince
    At its inventive best—like the creation of a little cloth fox who never speaks but steals almost every scene he’s in—it does capture the odd, tender wonder of his world.
    • 70 Metascore
    • 83 Leah Greenblatt
    Operation Varsity Blues: The College Admissions Scandal
    Most illuminating are the various journalists, attorneys, witnesses, and admissions counselors who testify to the case
    • 55 Metascore
    • 83 Leah Greenblatt
    Concussion
    Director Peter Landesman, who also helmed last year’s political thriller "Kill the Messenger", doesn’t color much outside the lines of conventional drama. But his straightforward telling actually serves the strong cast and taut script — and a story that would be deemed too outrageous to believe if it wasn’t true.
    • 69 Metascore
    • 83 Leah Greenblatt
    Captain Underpants: The First Epic Movie
    One day, Captain’s pint-size viewers will undoubtedly move on to Marvel’s spandex universe; until then, they’ve got this sweet, silly starter kit.
    • 78 Metascore
    • 83 Leah Greenblatt
    Sr.
    There's something lovely and quietly profound about where the film finds itself in the end: a generational love story that transcends old wounds and misadventures, and even, in its tender final moments, death itself.
    • 80 Metascore
    • 83 Leah Greenblatt
    A Beautiful Day in the Neighborhood
    Hanks plays Fred as he lays: a sort of secular Buddha in a red knit cardigan whose gently probing questions and Zen proclamations work as a slow dissolving agent on Lloyd’s resistance.
    • 77 Metascore
    • 83 Leah Greenblatt
    The Mustang
    First-time feature filmmaker Laure de Clermont-Tonnerre brings a gorgeous, wide-open sparseness to her visual storytelling (it makes sense that Robert Redford, the original Sundance Kid, is listed as an executive producer), but it’s largely Schoenaerts’ movie to carry.
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