Lauren J. Coates

There’s no intentionality behind Ungentlemanly Warfare, no perspective or passion to drive what should be a gleefully schadenfreude-filled time at the movies. With the exception of a scene-stealing Danny Sapani, The Ministry Of Ungentlemanly Warfare is a forgettable action vehicle ferrying a gaggle of uninspired rascals.

What’s frustrating about Indiana Jones And The Dial Of Destiny is how clearly it wants to recapture the magic of its predecessors while fundamentally misunderstanding how to approach a sequel set so chronologically apart from the rest of the franchise.

Though it sets out with noble intentions, What’s Love Got to Do With It is inelegant and reductive. It’s a well-meaning but misguided film that ends up playing into the same prejudices and preconceptions its characters are meant to be challenging.

Though the film boasts an impressive comedic roster and delivers a surprising number of thoughtful, emotional beats, its aimless storytelling and tonal confusion result in a middling end product that ends up more forgettable than anything else.

Even with a handful of toe-tapping songs written by Maluma and JLo specifically for the film Marry Me is an off-tune rom-com that should make most viewers think twice about saying “I do.”

From the stiff leading performances to the clunky, pretentious dialogue, The Voyeurs often feels like an amateur outing, but there’s also genuine wit in the film’s visual storytelling (particularly a number of clever match cuts), and an unpredictable enough payoff in the third act that it makes for a fresh, memorable viewing experience.

Though Raya and the Last Dragon is a visual and audible spectacle anchored by an all-star cast, the film’s lack of originality and paper-thin characters leave it on the less memorable end of Disney animated films.