Laura Sinagra
Select another critic »For 119 reviews, this critic has graded:
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21% higher than the average critic
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5% same as the average critic
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74% lower than the average critic
On average, this critic grades 17.4 points lower than other critics.
(0-100 point scale)
Laura Sinagra's Scores
- Movies
- TV
| Average review score: | 48 | |
|---|---|---|
| Highest review score: | Tom Dowd & the Language of Music | |
| Lowest review score: | Alex & Emma | |
Score distribution:
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Positive: 24 out of 119
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Mixed: 69 out of 119
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Negative: 26 out of 119
119
movie
reviews
- By Date
- By Critic Score
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- Laura Sinagra
Moormann's film transcends A&E hagiography, and Dowd's spry egoism and science-hipster joie de vivre provide piquant icing. Recalling trends, technical advances, artists, and landmark sessions (one where he suggests the rhythm for "Sunshine of Your Love"), Dowd conjures the excitement that helped coax so many iconic performances.- Village Voice
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- Laura Sinagra
Despite similar excess, Garbus's follow-up to 2002's "The Execution of Wanda Jean" provides another powerful glimpse inside the American justice system.- Village Voice
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- Laura Sinagra
It's an exhilaratingly decentered tale, with the perspective shifting around so there's no character with whom we totally identify throughout.- Village Voice
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- Laura Sinagra
Kennedy takes pains to illuminate aspects and insights that buck cliché.- Village Voice
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- Laura Sinagra
Often the script (co-written by Michael Bacall, who plays sardonic bipolar rich kid Chad) rings clear with mouths-of-babes declamations that all pained kids spew before downing adulthood's suck-it-up Kool-Aid.- Village Voice
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- Laura Sinagra
Though Zilberman's affection for the women leads to some indulgent digression, the doc's low-key tone (and lack of the stock, timpani-backed Nazi iconography) throws certain anecdotes into powerful relief.- Village Voice
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- Laura Sinagra
Not only documents the soul-titan concert held at L.A. Coliseum seven years after Watts burned, but illuminates the rue and kinesis of a city in full Black Power flower.- Village Voice
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- Laura Sinagra
Like "Spellbound's" glimpse of the darker side of childhood competition, Mad Hot Ballroom--a look at New York City schools' fifth-grade ballroom dance program--is best when exploring issues of class and gender and definitions of success.- Village Voice
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- Laura Sinagra
The total effect, of course, is abject sadness as we helplessly watch each enact a unique anti-success story in an inverted reality show.- Village Voice
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- Laura Sinagra
Though the edits can be too living-room smooth, the passion and pathology on display transcend the Tabitha Soren overload.- Village Voice
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- Village Voice
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- Laura Sinagra
Beyond the buzz of iconoclasm, our explorers find a regular troubled marriage, only with three sides to every problem.- Village Voice
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- Village Voice
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- Laura Sinagra
In interviews, Norbu has compared the editing process to meditation. While his pacing echoes that of polestars like Ozu and Makhmalbaf, his edits make striking events out of mundane motions like hands moving under running water and mouths meeting cups of butter tea.- Village Voice
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- Laura Sinagra
Unfortunately, Bardem is confined by more than Ramón's paralysis. He also must work within the limits of a partially numbed script.- Village Voice
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- Laura Sinagra
The best moments belong to Shirley MacLaine, who makes the clipped script sing as Ella.- Village Voice
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- Laura Sinagra
Bravely bucks the "Behind the Music" arc, conveying a reality of constant flux, a sense of the band being jerked in many different directions.- Village Voice
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- Laura Sinagra
With Awesome's insistence on professional sound--only a few times do we get sonically dropped into the cavernous, thumping Garden--and cuts to pristine close-ups of things like Mixmaster Mike's admittedly sick scratch detail work, it plays like a hype victory lap rather than a boundary-smashing study of fan curiosity or pathology.- Village Voice
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- Laura Sinagra
A quiet tour de force for Tilda Swinton, who plays researcher Rosetta Stone and her feisty but fragile alter egos.- Village Voice
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- Laura Sinagra
If you can handle the truth, Sarah Goodman's entropic doc is as exquisite a basic training in banal U.S. Army culture as you're likely to find.- Village Voice
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- Laura Sinagra
The reverent pacing lags a bit, but the film's meditation on the struggle to find spirituality that reconciles Islam with tribal belief systems is powerful in its understatement, and its wordless observation of France's Malian community quietly evidences daily cultural preservation amid the hard labor.- Village Voice
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- Laura Sinagra
Manages to explore the darker facets of friendship without being dark.- Village Voice
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- Laura Sinagra
Like Catherine Hardwicke's "Thirteen," this film has an ear for the way moms talk to kids, a sensitivity to drug-sweetened intimacies, and an appreciation of the urgent nuance, not just the comedy, of recovery-speak.- Village Voice
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- Laura Sinagra
The film has a feel similar to his songs--airtight, forthright, never spat till they're set.- Village Voice
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- Laura Sinagra
As Mom, Allison Janney easily dominates every scene she graces, as does Morning Zoo jock papa Peter Gallagher.- Village Voice
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- Laura Sinagra
What makes Winter Solstice, a nice little Jersey vignette about a widower and his two teenage sons, so striking is writer-director Josh Sternfeld's respect for the verbal shorthand of family interaction.- Village Voice
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- Laura Sinagra
With just the right balance of epic grandeur and break-into-song goofiness, this Bollywood love legend does double duty as a women's-rights manifesto and a plea for amity between India and Pakistan.- Village Voice
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- Laura Sinagra
On a dark set, between strums and archival clips, this master raconteur exudes his own brand of obnoxious charm, the kind that can only be possessed, never imitated.- Village Voice
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- Village Voice
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- Laura Sinagra
Fellowes's larger goal seems to be making sympathetic characters of Anne and Bule, who for all their lovey-doveyness never emerge as much more than rich twits à la "The Great Gatsby."- Village Voice
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