Kyle Turner

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Paste Magazine, Slant Magazine, The New York Times, The Playlist, TheWrap, Village Voice
For 50 reviews, this critic has graded:
  • 32% higher than the average critic
  • 12% same as the average critic
  • 56% lower than the average critic
On average, this critic grades 3.6 points lower than other critics. (0-100 point scale)

Kyle Turner's Scores

  • Movies
  • TV
Average review score: 62
Highest review score: 100 Summer 1993
Lowest review score: 20 Winnie-the-Pooh: Blood and Honey
Score distribution:
  1. Positive: 25 out of 50
  2. Mixed: 19 out of 50
  3. Negative: 6 out of 50
50 movie reviews
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    • 70 Metascore
    • 38 Kyle Turner
    Emilia Pérez
    If a musical is supposed to communicate things that can’t be conveyed through normal dialogue, Emilia Pérez’s biggest problem is that it falls prey to redundancy, regurgitating the same ideas about identity, desire, violence, and redemption, betraying how little it has to say in the first place.
    • 42 Metascore
    • 38 Kyle Turner
    Opus
    The film takes dozens of different anecdotes about cults and celebrities and manages to render them pedestrian, unoriginal, staid.
    • 47 Metascore
    • 30 Kyle Turner
    Operation Christmas Drop
    Much of the film feels not light and breezy, but like a self-conscious chore, unwilling to deviate from an established blueprint.
    • 42 Metascore
    • 30 Kyle Turner
    In from the Side
    Though Carter is competent at making the chaos of a rainy match or the ecstasy of a clandestine tryst watchable, his characters feel like sketches with barely any idiosyncrasies. What’s the point of watching the game if you don’t care about the players?
    • 42 Metascore
    • 23 Kyle Turner
    Downrange
    The inventiveness of the deaths is limited, and the geography of the film’s setting limits what kind of world its characters can create. The film is as barren of uniqueness or anything else compelling as the actual landscape is of foliage.
    • 16 Metascore
    • 20 Kyle Turner
    Winnie-the-Pooh: Blood and Honey
    It’s not funny enough to have anything clever to say about its gag, and it’s not exciting enough to be a competent horror movie.

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